明代永宣官窑青花瓷研究

发布时间：2018-03-02 21:37

本文选题：永宣　切入点：青花瓷　出处：《华东师范大学》2010年硕士论文　论文类型：学位论文

【摘要】： 中国青花瓷,清新雅丽,代表了中华民族含蓄内向的审美时尚,素以“国瓷”美誉。青花瓷创烧于唐朝而兴盛于元朝,尤其是元青花展现了成熟青花瓷的精美之作,但无论唐青花还是元青花,两者都是基于民间或海外的各种需求而制,并非受到官方的支持与影响,更非御用制品。随着明王朝的建立,在青花瓷的主要产地景德镇,开始设立和发展了真正意义上的官窑,青花瓷逐渐受到政府重视。至永乐宣德年间随着官窑发展势头的良好,海外市场的开拓,青花瓷深受西域国家和人民的喜爱而一跃而起,成为景德镇彩瓷生产的主流。这时的官窑青花瓷,也得到了永宣两帝的肯定,开始了青花瓷作为御用瓷品种的时代。两朝的青花瓷均用进口钴料所制,在呈色上颇为接近,另外,两朝的更替时间极短,总体来说,永宣两朝的青花瓷艺术风格基本一致,但亦各有时代特性。永宣官窑青花瓷代表了青花瓷制作的最高水平,是瓷器史上的一个里程碑,既不同于元青花的热烈奔放,又有别于中晚期明代青花瓷的典雅稚拙,更异于清代前期青花的华美明艳,她体现的是一种伊斯兰式的异域风格与中国传统文化艺术相融合的隽永雅丽的风格。本文分别从洪武时代开始的官窑制度、海外因素、明代前期藏传佛教以及宫廷画派四个方面来分析永宣官窑青花瓷产生的时代背景；用实物对比分析来研究这一时期受到伊斯兰造型纹饰风格影响下的青花瓷造型和纹饰以及中式造型纹饰风格的继承与发展；最后结合明清文献中对永宣官窑青花瓷的评介进行分析,同时梳理了明中后期到清朝一代对其的仿制历史过程,归纳了一些较为简便的鉴别方法。
[Abstract]:China's blue and white porcelain, fresh and elegant, represents the implicit and introverted aesthetic fashion of the Chinese nation, and is known as "national porcelain". Blue and white porcelain was created in the Tang Dynasty and flourished in the Yuan Dynasty, especially when the blue and white porcelain of the Yuan Dynasty showed the exquisite works of mature blue and white porcelain. However, both Tang and Yuan blue and white were based on various needs of the people or overseas, and were not supported and influenced by the government, much less imperial products. With the establishment of the Ming Dynasty, Jingdezhen, the main producer of blue-and-white porcelain, was located in Jingdezhen, the main place of production of blue-and-white porcelain. Began to establish and develop the true meaning of the official kiln, blue and white porcelain gradually received the attention of the government. To Yongle Xuande years with the good momentum of development of official kilns, overseas market development, blue and white porcelain by the Western region countries and people's love and leap up. It became the mainstream of Jingdezhen color porcelain production. At this time, the official kiln blue and white porcelain, also got the affirmation of Emperor Yongxuan, began the period of blue and white porcelain as the royal porcelain variety. The blue and white porcelain of the two dynasties were both made of imported cobalt material, which was quite close in color. In addition, the replacement time between the two dynasties is very short. Generally speaking, the artistic styles of the two dynasties are basically the same, but they also have their own characteristics of the times. Yongxuan Guan Kiln Blue and White porcelain represents the highest level of blue and white porcelain production, and is a milestone in the history of porcelain. It is not only different from the warm and unrestrained blue and white flowers in Yuan Dynasty, but also different from the elegance and childishness of the blue and white porcelain of the middle and late Ming Dynasty, and is different from the splendor and splendor of the blue and white flowers in the early Qing Dynasty. What she embodies is a meaningful and elegant style that combines the foreign style of Islam with the traditional Chinese culture and art. In the early Ming Dynasty, Tibetan Buddhism and court painting school analyzed the background of the generation of Yongxuan Guan kiln blue and white porcelain. This paper studies the inheritance and development of the blue and white porcelain modeling and decoration and the Chinese style pattern decoration style under the influence of Islamic style in this period. Finally combined with the Ming and Qing dynasties literature review of the Yongxuan kiln blue and white porcelain analysis, at the same time combing the middle and late Ming Dynasty to the Qing Dynasty generation of its imitation of the historical process, summed up some more simple identification methods.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K876.3

【引证文献】