汉代画像砖羽人图像研究

发布时间：2018-03-02 22:03

本文选题：汉代　切入点：画像砖　出处：《河北大学》2010年硕士论文　论文类型：学位论文

【摘要】： 汉代艺术是中国艺术史上的一枝奇葩,汉代经济繁荣,政治相对稳定,思想上信奉黄老之术,谶纬观念,追求肉体的长生不死和灵魂不灭。在这种思想的影响下,出现了一大批反映长生和升仙思想的艺术形象。羽人就是其中具有代表性的一种题材。它有着独特的形象、深刻的文化内涵,以及深刻的思想意义。它的产生、发展、流变都具备极大的研究价值。本文以汉代画像砖羽人图像为研究对象,分析画像砖羽人图像的产生、流变、不同区域不同类别羽人图像的特征及羽人图像的意义和影响。其中羽人图像的分区研究和羽人图像的象征意义是研究重点。
[Abstract]:Han Dynasty art is a wonderful flower in the history of Chinese art. Under the influence of this kind of thought, the Han Dynasty has a prosperous economy, relatively stable politics, a belief in the art of Huang and Lao, the concept of prophecy, the pursuit of immortality of the body and the immortality of the soul. There appeared a large number of artistic images reflecting the idea of everlasting and ascending immortals. The featherman is one of the representative subjects. It has a unique image, profound cultural connotation, and profound ideological significance. Rheology has great research value. This paper takes the portrait of brick and plume in Han Dynasty as the research object, and analyzes the generation and rheology of the image of brick and plume in Han Dynasty. The characteristics of different types of feathering images in different regions and the significance and influence of feathering images are discussed, among which, the research on the zoning of feathering images and the symbolic significance of feathering images are the key points in the study.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：K879.4

【引证文献】