探究汉画像中袖舞的身体语言表达

发布时间：2018-03-06 02:14

本文选题：汉画像　切入点：袖舞　出处：《青岛大学》2017年硕士论文　论文类型：学位论文

【摘要】：汉画像是我国历史文化遗产中的珍宝,是汉代历史人文重要的载体。汉代先民受那时的宗教信仰和封建迷信的思想,在地下墓室、墓地祠堂、墓阙和庙阙等建筑上雕刻上人们生前的现实生活、历史故事及神仙世界供以逝去的先民享乐。汉画像石中不仅真实地记载了汉代乐舞的千姿百态,还呈现出“博大宏放”,“粗拙质朴”、“浪漫恣肆”的汉代乐舞艺术气质。而“袖舞”是汉代舞蹈里最具特点的舞蹈种类之一,“袖舞”是以“袖”作为延长人体线条的一种道具,兼表演性、技艺性、鉴赏性、教育性为一体的古典舞,也是中国古代舞蹈的突出标志。在中国舞蹈发展的历史长河中,袖舞起源于西周,经历了各个历史时代,并随着历史文化的发展而与日俱进。汉代袖舞由于受楚文化的影响,呈现出浪漫而又不失狂放的气质,体现出汉代艺术的独特魅力。本文就是以汉画像中的袖舞作为研究对象,运用舞蹈身体语言学、图像学、史学等研究方法对汉画像中袖舞的历史溯源、形态表达、内容表达及剧目中的运用等问题进行研究,总结并阐明汉代袖舞的文化价值与社会功能。并通过对汉画像中袖舞的身体语言探究,对中国当下的舞蹈教育及中国当下古典舞的身体语言建构提供借鉴。
[Abstract]:The portrait of the Han Dynasty is a treasure in the historical and cultural heritage of our country and an important carrier of the history and humanities of the Han Dynasty. The ancestors of the Han Dynasty received the religious belief and feudal superstition of that time, in the underground tombs, the graveyard ancestral halls, The real life, historical stories and immortals are carved on the tombs and temples for the enjoyment of the lost ancestors. Not only does the Han stone portrait record the variety of music and dance in the Han Dynasty, It also presents the artistic temperament of Han music and dance in the Han Dynasty, which is characterized by "broadness and grand release", "coarse simplicity" and "romantic insolence". "sleeve dance" is one of the most characteristic dance types in Han Dynasty dance, and "sleeve dance" is a kind of props that use "sleeve" as a prop to extend the lines of the human body. Classical dance, which combines performance, skill, appreciation and education, is also a prominent symbol of ancient Chinese dance. In the long history of the development of Chinese dance, sleeve dance originated in the Western Zhou Dynasty and experienced various historical times. With the development of history and culture, the sleeve dance of Han Dynasty, influenced by Chu culture, presents a romantic and unrestrained temperament, which reflects the unique charm of Han Dynasty art. This paper takes the sleeve dance in the Han Dynasty portrait as the research object. By using the methods of dance body linguistics, graphics and history, this paper studies the historical origin, the form expression, the content expression and the application in the repertoire of the sleeve dance in the Han Dynasty. This paper summarizes and clarifies the cultural value and social function of the sleeve dance in Han Dynasty, and provides reference for the contemporary dance education in China and the body language construction of the classical dance in China by exploring the body language of the sleeve dance in the Han Dynasty.
【学位授予单位】：青岛大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K879.4;J722.4

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