汉晋时期的魂瓶与人们的精神世界

发布时间：2018-05-02 00:39

本文选题：汉晋 + 魂瓶　；参考：《中国美术学院》2016年硕士论文

【摘要】：魂瓶是汉末至东晋时期特有的随葬明器,主要分布在长江中下游地区,其中以江苏、浙江出土的堆塑装饰型魂瓶最富特色。魂瓶质地多为青瓷或釉陶,口沿以上部分堆塑楼阁、人物、飞鸟、走兽,有的还塑佛像、孝子守灵、龟跌驮碑等,下部贴塑铺首、游鱼等形象。本文的研究重点是魂瓶与当时人们的灵魂信仰,主要从器形演变、魂瓶堆塑和当时社会历史背景这三个方面展开论述。第一章综合概述魂瓶当前的研究成果。第二章结合考古材料,从类型学和文化内涵方面分析了魂瓶器形的演变。第三章通过对魂瓶堆塑内容、社会丧葬礼俗以及自古流传的灵魂信仰,着重探讨魂瓶中所体现的精神文化内涵。第四章简要概述魂瓶的消亡。魂瓶虽小,象征的却是一个宽阔的世界,人与魂、生与死、过去与未来,统统容纳在其中,既是愿逝者安息的美好愿望,更是为生者祈求永世的福祉。
[Abstract]:Soul bottle is a special funerary object from the end of Han Dynasty to the Eastern Jin Dynasty. It is mainly distributed in the middle and lower reaches of the Yangtze River. The spirit bottle texture is mostly celadon or glazed pottery, mouth along the above part pile plastic pavilion, figures, birds, animals, some also plastic Buddha, filial piety, tortoise stele, etc., the lower part of the plastic paste head, fish and other images. This paper focuses on the soul bottle and people's belief in the soul, mainly from three aspects: the evolution of the organ shape, the shape of the soul bottle, and the social and historical background of the time. The first chapter summarizes the current research results of the spirit bottle. The second chapter analyzes the evolution of the bottle shape from the aspects of typology and cultural connotation combined with archaeological materials. The third chapter focuses on the spiritual and cultural connotation embodied in the spirit bottle through the contents of the soul bottle, the social funeral rites and customs, and the soul belief that has been handed down since ancient times. The fourth chapter gives a brief overview of the demise of the spirit bottle. Small as it is, it symbolizes a wide world, man and soul, life and death, past and future, all of which are contained in it. It is not only a good wish for the dead to rest in peace, but also a prayer for the everlasting well-being of the living.
【学位授予单位】：中国美术学院
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：K878.9

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