北魏至隋代关中地区造像碑的样式与年代考证

发布时间：2018-05-22 08:18

本文选题：造像碑 + 北朝　；参考：《西安美术学院》2011年博士论文

【摘要】：造像碑是融绘画、雕刻、建筑、书法于一体的宗教艺术作品,是石刻造像和传统碑碣形式的结合。它是陕西地区佛教造像艺术中一个非常特殊且具有代表性的造像种类,对于研究北朝时期关中地区普通民众的宗教信仰、少数民族的分布区域、姓氏、民族成分、婚姻关系、北朝官制、地理沿革等方面具有非常重要的历史价值。本文在前辈学者研究的基础上,吸取和借鉴了他们的研究方法和新的理论,对关中地区造像碑的分期、年代等方面进行了讨论。本文以关中各县区收藏和新近出土的造像碑(含部分造像)为研究对象,以北魏至隋代为时间界限,通过实地考察获得的图片资料和查找的相关文献资料,采用最新的研究理论和成果,尽可能完整、忠实地记录造像碑的造像、铭文等内容,概述了耀县、西安、富平、长武等其它县区有纪年造像碑的基本情况。其次,对关中地区造像碑进行分期研究,以整个关中作为地理范围,打破了地域界限,收录了关中各县区百余块有纪年的造像碑,采用考古类型学的方法,通过比较不同时期、不同地域的造像碑,分析碑龛形制及布局、主尊造型、服饰和雕刻技法、佛座、供养人等具有时代特征的图像演变轨迹,总结了各时期造像的艺术特征。文中把关中地区造像碑分为三个时期,在每一时期内又细分为几个阶段,概括每一阶段造像的样式特征。最后,在分期研究的基础上,着重对耀县、西安、富平和长武几个地方无纪年造像碑的年代进行考证。通过分析造像碑上的主尊造型、供养人、狮子等图像特征,与某一历史阶段造像碑的样式特征或特定年代的造像碑进行对比,把单个造像碑同某个特定时期联系起来,从而来确定无纪年造像碑的年代范围。
[Abstract]:The stone tablet is a religious work of art that integrates painting, sculpture, architecture and calligraphy. It is a combination of stone sculptures and traditional stele forms. It is a very special and representative kind of Buddhist statue art in Shaanxi. For studying the religious beliefs of ordinary people in Guanzhong area during the Northern Dynasty, the distribution region of ethnic minorities, surnames, ethnic elements, marriage relations, The official system of the Northern Dynasty, geographical evolution and other aspects have very important historical value. Based on the previous scholars' research, this paper draws on their research methods and new theories, and discusses the stages and ages of statues in Guanzhong area. In this paper, the collection of various counties and districts in Guanzhong and the newly unearthed statues (including some statues) are taken as the research objects, and the time limit from the Northern Wei Dynasty to the Sui Dynasty is taken as the time limit. Based on the latest research theories and achievements, the contents of the statues and inscriptions of the tablets are recorded as completely and faithfully as possible, and the basic situation of the chronological tablets in other counties such as Yaoxian, Xi'an, Fuping and Changwu is summarized. Secondly, the study on the statues in Guanzhong area is carried out by stages, taking the whole Guanzhong as the geographical range, breaking the boundary of the region, collecting more than 100 chronicled tablets in the counties and districts of Guanzhong, adopting the method of archaeological typology, and comparing different periods by means of the archaeological typology. This paper analyzes the shape and layout of the monument niche, the shape and layout of the tablet niche, the shape of the statue, the dress and engraving techniques, the Buddha's seat, the suitor and so on, and summarizes the artistic characteristics of the statues in each period. In this paper, the statue tablet in Guanzhong area is divided into three periods, and then subdivided into several stages in each period to summarize the style characteristics of each stage. Finally, on the basis of the study by stages, this paper makes textual research on the age of no chronological monument in Yaoxian, Xi'an, Fuping and Changwu. By analyzing the image features of the main statue, the provider and the lion on the monument, and comparing it with the style features of the monument at a certain historical stage or with the monument of a particular age, the individual monument is linked to a certain period. In order to determine the age of no-chronological monument.
【学位授予单位】：西安美术学院
【学位级别】：博士
【学位授予年份】：2011
【分类号】：K877.4

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