乾隆朝宫廷景泰蓝初步研究

发布时间：2018-06-04 10:45

本文选题：乾隆朝宫廷景泰蓝 + 生产背景　；参考：《复旦大学》2010年硕士论文

【摘要】： 景泰蓝(铜胎掐丝珐琅)自元代从阿拉伯传入我国以来,历经明清两代的发展,取得了非凡的艺术成就。清代乾隆朝为宫廷景泰蓝生产制作的一个巅峰时期,展现了中国历史上铜胎掐丝珐琅工艺的最高水平。但是,学界关于景泰蓝的研究相对比较薄弱,乾隆朝宫廷景泰蓝的专项研究基本空白。本文旨在廓清乾隆朝宫廷景泰蓝的整体面貌,并对其与同时期其它文物门类的关系进行初步研究。论文由四部分组成：第一部分,结合乾隆时期的文献档案,对乾隆朝宫廷景泰蓝生产的时代背景进行初步分析。从封建统治者、制作机构及工匠构成两方面分析乾隆朝宫廷景泰蓝得以高速发展的历史背景。第二部分,全面整理目前已公开发表的学术资料、海内外博物馆的传世藏品及出版的图录资料,运用类型学的方法对乾隆朝宫廷景泰蓝的器型进行整理分类,并对每个门类器物背后蕴含的历史文化背景等信息初步探索。第三部分,在上述资料整理的基础上,从种类、构图及艺术特色等几方面对乾隆朝宫廷景泰蓝的纹饰进行初步研究。第四部分,由于宫廷景泰蓝的制作综合了多种传统工艺的艺术特色,与其他文物门类产生紧密联系,因此其在同时期文物体系中的地位值得研究。本文试从瓷器和传统书画两个角度出发,初步分析景泰蓝与之形成的互相影响、互相借鉴的关系。
[Abstract]:The cloisonne ( copper - tire cloisonne enamel ) has been developed in the Ming and Qing dynasties since the passing of the Yuan Dynasty from the Arab to China . The Qing Dynasty , the peak period of the production and production of the palace cloisonne , has shown the highest level of the process of the copper - embryo pinch - wire enamel in China . However , the research on cloisonne is relatively weak in the academic circle , and the special study of the imperial court cloisonne is basically blank .

The purpose of this paper is to clear the whole face of Emperor Qian Long ' s palace cloisonne and study its relationship with other cultural relics in the same period . The thesis consists of four parts :

In the first part , the historical background of the high - speed development of the palace cloisonne from the feudal rulers , the production institutions and the artisans was analyzed .

In the second part , the author makes a comprehensive arrangement of the published academic information , the collection and the published catalogue data of the museum in the home and abroad , and uses the method of typologies to sort out the device type of the palace cloisonne , and to explore the historical and cultural background behind each gate .

The third part , on the basis of the above - mentioned material arrangement , from several aspects , such as kinds , composition and artistic characteristics , carry out a preliminary study on the tattoo of the palace cloisonne .

In the fourth part , because the manufacturing of palace cloisonne combines the artistic characteristics of many traditional processes , it is closely related to other cultural relics , so it is worth studying in the same period of cultural relic system . In this paper , we try to analyze the mutual influence of cloisonne and the formation of the traditional calligraphy from two angles of porcelain and traditional painting .
【学位授予单位】：复旦大学
【学位级别】：硕士
【学位授予年份】：2010
【分类号】：J526;K876

【引证文献】