洛阳白马寺与洛阳博物馆藏原慈宁宫大佛堂佛教文物研究

发布时间：2018-11-14 20:46

【摘要】：近年来,关于清代皇帝佛教信仰有了诸多的讨论,并出现了很多富有成果的学术论文和专著。如故宫博物院罗文华先生的《龙袍与袈裟》,故宫博物院王子林先生的《在乾隆的星空下——乾隆皇帝的精神境界》等专著,可是对于偏居“冷宫”慈宁宫皇太后的佛教信仰却鲜有深入涉及,没有单独的论文对此问题进行深入阐释。本文以洛阳白马寺与洛阳博物馆所藏原慈宁宫大佛堂佛教文物为切入点,从图像学、风格学等方面分析佛教文物的宗教与艺术内涵,结合清宫档案、大佛堂建筑,将佛教文物回溯安放至明清时期慈宁宫大佛堂的原境之中,试图钩沉明清紫禁城慈宁宫区域——相对私密的宫廷女眷佛教信仰与生活。论文分为四个部分,第一部分主要梳理故宫慈宁宫与慈宁宫大佛堂的历史沿革,并回顾慈宁宫大佛堂文物如何栖身洛阳。第二部分是对现在洛阳白马寺和洛阳博物馆及其洛阳民俗博物馆等单位所收藏的慈宁宫大佛堂佛教文物进行图像学和风格学的分析。第三部分,结合文献档案和大佛堂建筑等对洛阳所藏大佛堂佛教文物所引发的几个问题做一讨论。第一对现在白马寺收藏的原大能仁寺24尊造像渊源考证,第二是大佛堂佛教文物的来源问题,第三是关于大佛堂陈设与主题。结论部分集中讨论大佛堂佛教文物在不同场景、空间的变迁,导致佛教文物语意的变化,最后阐释文物的流转变迁对中国美术史写作产生的影响。本文以物证史,从佛教造像、建筑空间等角度探讨明清皇太后的佛教信仰,一定程度上填补了对明清皇太后佛教信仰这一研究课题的不足。这对于搞清楚明清之际宫廷佛教信仰,满、汉、蒙等民族文化交流与融合,并推动相关领域的研究走向深入有着重要的作用。
[Abstract]:In recent years, there has been a lot of discussion about the Buddhism belief of Qing Dynasty emperors, and a lot of fruitful academic papers and monographs have appeared. For example, the Palace Museum, Mr. Luo Wenhua, "Dragon robes and cassock", the Palace Museum Prince Lin, "under the stars of Qianlong-Emperor Qianlong's spiritual realm," and other monographs, However, the Buddhist belief of empress queen of Zining Palace is seldom involved, and there is no separate paper to explain this problem in depth. In this paper, the Buddhist relics of the Great Buddhist Hall of the Zining Palace in Luoyang and the Museum of Luoyang are taken as the breakthrough point. The religious and artistic connotations of the Buddhist relics are analyzed from the aspects of graphology and stylistics, and combined with the archives of the Qing Palace, the architecture of the Great Buddhist Hall. The Buddhist relics were placed back into the original state of the Great Buddhist Hall of the Zining Palace in the Ming and Qing dynasties, in order to try to catch up with the Buddhist faith and life of the relatively private court women in the Zining Palace area of the Forbidden City of the Ming and Qing dynasties. The paper is divided into four parts. The first part mainly combs the historical evolution of the The Imperial Palace's Zining Palace and the Zining Palace's Great Buddha Hall, and reviews how the cultural relics of the Zining Palace's Great Buddhist Hall live in Luoyang. The second part is the analysis of the Buddhist relics of the Great Buddhist Hall of the Zining Palace which are collected by the Baima Temple and Luoyang Museum and the Luoyang Folk Museum in Luoyang. In the third part, some problems caused by Buddhist relics of Dafatang in Luoyang are discussed in combination with literature archives and Dafatang architecture. The first is the origin of the original 24 statues of Daneng Ren Temple, the second is the origin of the Buddhist relics of the Dafatang, and the third is about the furnishings and themes of the Great Buddhist Hall. The conclusion part focuses on the changes of Buddhist cultural relics in different scenes and spaces, which leads to the changes in the meaning of Buddhist cultural relics. Finally, it explains the influence of the circulation of cultural relics on the writing of Chinese art history. In this paper, the Buddhist belief of empress in Ming and Qing dynasties is discussed from the angle of the history of physical evidence, Buddhist statues and architectural space. To some extent, it fills up the deficiency of the research on the Buddhist belief of empress in Ming and Qing dynasties. This plays an important role in understanding the Buddhist belief of the court during the Ming and Qing dynasties, the cultural exchange and integration of Manchu, Han and Mongolian nationalities, and promoting the research in related fields.
【学位授予单位】：首都师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：K878.6

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