中国当代消费语境中的小资文化研究

发布时间：2018-04-04 03:59

本文选题：小资　切入点：小资情调　出处：《武汉纺织大学》2014年硕士论文

【摘要】：在中国当代文化中，“小资”是一个重要的词语。时至今日，“小资文化”甚为流行，它代表着一种高雅的生活情调。可是在不同的历史阶段下，“小资文化”因其历史背景不同，它所召唤起的大众想象也截然不同。从二十世纪初，中国随着现代化的改革与发展，“小资产阶级”这个新的文化群体逐渐出现在了都市背景下的社会中。在改革开放以前，“小资产阶级”是一个具有着浓厚的政治色彩的词汇，他们被认为是脱离社会和大众的一群知识分子，因此在改造过程中逐渐迷失了自我。在经过了岁月的洗礼后，“小资产阶级”并没有因为革命的飓风而销声匿迹，已然从一个尴尬时期驶向一个风平浪静的港湾，它已经脱胎换骨，在历史的长河中转化成为一种生命的态度和生活的方式。到了20世纪90年代末期，“小资”已经是集优雅、格调、品味于一身的浪漫生活的代表词。他们张显个性，追求精神自由，拥有高雅的品味，享受浪漫情调。在这种情调和品味中，蕴含着他们对生命和生活的感悟与理解，一种浪漫的情怀时时刻刻弥漫在这种前卫与时尚的空气之中，已然变成了一道亮丽的风景线。而作为审美文化的一种，“小资”是根据人们在消费社会背景下的生活方式和生活趣味来划分的。因此，“小资”对日常生活下的审美追求有着必然的原因：首先是出于他们的审美追求对于日常生活机械化的抵触。其次，“小资”追求生活的审美化也与他们的身份有密切的关系。那么，，能否对文化进行审美成了区分“小资”文化和“大众文化”的根本点。就其美学内涵来讲，小资文化则体现出个人主体性的美学重塑，讲究身体和精神的双向濡化和提升，对于消费语境中的话语权问题，则呈现了一种以自身为原则，以退为进的话语策略。小资文化是当代消费语境中耐人寻味的一支奇葩。因此，要构建“美”的大众文化，大众的审美就需要重新正确定位，也必须要通过召唤理性和人文精神的回归。那么，我们需要一种新的文化对其进行反拨，一种真正能建构并且落实大众物质和精神方面的文化——小资文化，从而提升大众文化的文化底蕴。事实上，社会文化发展离不开大众文化和小资文化的共同发展，所以，我们首先要深刻认识这两种文化及共在社会文化中的地位，二者应该进行合理的互补和融合。
[Abstract]:In Chinese contemporary culture, "small capital" is an important word.Today, the "small-capital culture" is very popular, it represents an elegant atmosphere of life.However, in different historical stages, the popular imagination is different because of its different historical background.Since the beginning of the 20th century, with the reform and development of modernization in China, the "petty bourgeoisie", a new cultural group, has gradually appeared in the society under the urban background.Before the reform and opening up, "petty bourgeoisie" is a strong political color of words, they are considered to be divorced from society and the masses of a group of intellectuals, so they gradually lost themselves in the process of transformation.After the baptism of the years, the "petty bourgeoisie" did not disappear because of the revolutionary hurricane. It had sailed from an awkward period to a serene harbor, and it had been transformed.In the long river of history into a life attitude and way of life.By the end of the 1990 s, Xiao Zi had become a representative of a romantic life that was elegant, stylish and tasteful.They show personality, pursue spiritual freedom, have elegant taste, enjoy romantic sentiment.In this kind of sentiment and taste, contain their sense and understanding of life and life, a kind of romantic feeling is permeated in this kind of air of avantgarde and fashion all the time, has become a beautiful scenery line.As a kind of aesthetic culture, "small money" is divided according to people's life style and life interest under the background of consumer society.Therefore, "small capital" has the inevitable reason to the esthetic pursuit under the daily life: first, it is out of their esthetic pursuit to the daily life mechanization conflict.Secondly, the pursuit of life by small-capitalists also has a close relationship with their identity.Therefore, whether the culture can be aesthetic is the root of the distinction between "small money" culture and "popular culture".As far as its aesthetic connotation is concerned, the small capital culture embodies the aesthetic remolding of individual subjectivity, pays attention to the two-way acculturation and promotion of body and spirit, and presents a principle of taking one's own as the principle of discourse right in the context of consumption.A discoursing strategy of retreat.Small capital culture is a curious flower in the context of contemporary consumption.Therefore, in order to construct the popular culture of beauty, the aesthetic of the masses needs to be re-positioned, and the return of rationality and humanistic spirit must be called.Then, we need a new culture to counterattack it, a kind of culture which can construct and implement the mass material and spiritual aspects of the small capital culture, so as to enhance the cultural background of the mass culture.In fact, the development of social culture can not be separated from the common development of mass culture and small capital culture. Therefore, first of all, we should deeply understand these two cultures and their common position in social culture, and they should be reasonably complementary and integrated.
【学位授予单位】：武汉纺织大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：G122

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