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重庆研磨彩绘漆工艺的传承与发展研究

发布时间:2018-04-05 21:26

  本文选题:重庆漆艺 切入点:研磨彩绘漆工艺 出处:《重庆师范大学》2014年硕士论文


【摘要】:重庆地处四川盆地东南部,四季分明,既产漆又适宜制漆。重庆漆艺历史悠久,,以研磨彩绘工艺为地方特色而著称。研磨彩绘工艺是著名漆艺大师沈福文在对失传漆工艺恢复和发展的基础上,创造的独树一帜的漆工艺系统。不仅装饰技法丰富、特点鲜明,还承载着重庆悠久的历史文化。 本文以田野调查和文献资料检索相结合的研究方法为主,较为客观的探讨了研磨彩绘漆工艺发展的条件与历史脉络,较为深入的总结了研磨彩绘漆工艺的艺术特征与传承模式,对重庆漆艺走向衰微的原因加以分析,为研磨彩绘漆工艺传承和发展提出可行性策略。以传统漆工艺与现代实用生活的关系为切入点,提出“器用与艺用”相结合的理念。一方面需要漆工艺重新开拓的日用品市场,实现“器的回归”;另一方面需要漆工艺走品牌化道路,实现“艺的提升”。以期重庆研磨彩绘漆工艺走上活态发展之路,得到更好的传承与发展。
[Abstract]:Chongqing is located in the southeast of Sichuan Basin, four distinct seasons, both lacquer and suitable lacquer.Chongqing lacquer has a long history and is famous for its local characteristics.Grinding painting process is a unique lacquer process system created by Shen Fuwen, a famous lacquer master, on the basis of restoration and development of lost lacquer technology.Not only decorative techniques rich, distinctive characteristics, but also bear a long history and culture of Chongqing.Based on the research methods of field investigation and literature retrieval, this paper discusses objectively the conditions and historical context of the development of the lapping paint process, and summarizes the artistic characteristics and inheritance mode of the lapping painting process.This paper analyzes the reasons for the decline of lacquer art in Chongqing, and puts forward feasible strategies for the inheritance and development of lacquer technology.Based on the relationship between traditional lacquer technology and modern practical life, this paper puts forward the idea of combining instrument with art.On the one hand, it is necessary to re-develop the daily necessities market of lacquer technology to realize the "return of apparatus"; on the other hand, it is necessary for lacquer technology to take the brand road to realize "art promotion".In order to get a better inheritance and development of the grinding paint process in Chongqing on the way of live development.
【学位授予单位】:重庆师范大学
【学位级别】:硕士
【学位授予年份】:2014
【分类号】:J527;K892.2

【参考文献】

相关期刊论文 前2条

1 乔十光;戴着脚镣跳舞[J];美术观察;1996年11期

2 陈之佛;对于中国美术工艺的感想[J];装饰;1997年02期



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