文化赞助制度的前工业源泉——从前工业社会艺术供养模式看文化赞助制度与文化生产变迁

发布时间：2018-04-24 18:25

  本文选题：前工业社会 + 艺术赞助　； 参考：《文化艺术研究》2017年01期

【摘要】：本文论述前工业社会的文化生产及其赞助人情况,研究随着社会形态变迁,文化如何与资本日益结合。由于资本的流动与社会阶层的重组,文化生产逐渐摆脱依附性的模式,艺术家获得独立自由的生产空间,市场的广阔加之赞助人的多元化使得创作主体的个性化日益凸显;而民众的文化需求和文化消费的增加刺激了文化艺术品的生产;艺术赞助人和赞助方式也发展得灵活多样,为文化艺术生产的繁荣以及精英文化和大众文化的汇合提供了有利的经济条件和社会背景。
[Abstract]:This paper discusses the situation of cultural production and its sponsors in pre-industrial society, and studies how culture and capital are increasingly combined with the change of social formation. Because of the capital flow and the reorganization of the social stratum, the cultural production gradually gets rid of the dependent mode, the artist obtains the independent and free production space, the broad market and the diversity of the patron make the individuation of the creative subject more and more prominent. The cultural needs of the people and the increase in cultural consumption have stimulated the production of cultural works of art; art patrons and sponsorship methods have also developed flexibly and in a variety of ways. It provides favorable economic conditions and social background for the prosperity of cultural and artistic production and the confluence of elite culture and popular culture.
【作者单位】： 江苏省文化艺术研究院;
【分类号】：G05
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本文编号：1797768