都市民俗学空间论视角下中韩女儿节的研究
发布时间：2018-11-24 08:07
【摘要】：中国传统节日共有四个节日可别称作“女儿节”,他们分别是三月三(上巳节)、五月五日(端午节)、七月七日(七夕节)和九月九日(重阳节)。在韩国的传统节日里,这四个节日也可别称为“女儿节”。这四个节日的月份与日期都是相重的,并且都为奇数,与阴阳学有着密切的关系,这四个节日与女性的关系是在节日演变过程中逐步显现出来的,也在节日变化的过程中逐渐形成了许多专门为女性设立的民俗活动.从古到今,女性在民俗节日活动的举办中都占据着主导地位。但是随着社会的发展与变化,农耕时代的这些岁时民俗节日已经难以满足现代社会人们的生活需要和情感需要了。众所周知,现在的世界是以城市为中心,网络遍布全球的文化村。人们在紧张的日常都市生活中,很多民俗节日正逐渐被人遗忘,因此我们面临着民俗危机。比如,以前韩国有300多种民俗游戏,现在只剩很少的几种。现在的很多人对民俗节日都非常不重视,如对三月三、七夕等一些民俗节日或者民俗活动知者甚少。同时,在经济全球化的背景下,西洋文化强势席卷亚洲,市场经济快速发展,使很多人开始仅仅满足于对物质本身的追求,从而忽视了对民俗节日文化的深入理解和传承。21世纪是全球化时代。现在由于西洋文化在亚洲占据了主导性地位,中国和韩国的传统民俗节日文化受到了前所未有的冲击,人们对于本国民俗节日的热情和传承也日趋冷却。民俗节日逐渐失去了原来特有的民俗文化的内涵和功能,像乞巧、草娃娃游戏等民俗活动现在也已经无法带给现代人以足够的兴奋和刺激,像中韩女儿节这样的民俗节日也逐渐不被大家重视,女儿节这样的岁时节日因其自身在娱乐空间、公共空间的变化,传承发展也受到了局限,加上西方节日的冲击,此类民俗节日无法逃脱日渐式微的命运。因此,本文在都市民俗学空间论的视角下对以三月三和七夕节为中心的中韩女儿节的现状进行了详细的分析,运用空间论的理论分别从居住空间、娱乐空间、移动空间对中韩女儿节民俗节日的现状进行了详细的分析研究,对现状中出现的问题及其传承方案进行了探索。通过对这些女儿节中与女性有关的节俗的研究,可以更深入地了解传统社会中女性与节日的关系以及女性与社会的关系。并且以以女儿节为切入点还可透视整个传统节日的发展脉络。
[Abstract]:There are four traditional Chinese festivals, which are March 3 (Shangsi Festival), May 5 (Dragon Boat Festival), July 7 (Qixi Festival) and September 9 (Double-ninth Day). In Korea's traditional festivals, these four festivals can also be known as the "daughter's Day." The months and dates of these four festivals are heavy, and they are all odd numbers. They are closely related to the study of yin and yang. The relationship between these four festivals and women is gradually revealed in the course of the evolution of the festival. In the course of the festival changes, many folklore activities were gradually formed for women. From ancient times to the present, women occupy a dominant position in the holding of folklore festivals. However, with the development and change of the society, the folk festivals in the farming age have been unable to meet the needs of people's life and emotion in modern society. As we all know, now the world is city-centered, the network all over the world of cultural villages. In the tense daily life, many folk festivals are gradually forgotten, so we are facing the crisis of folklore. For example, there used to be more than 300 folk games in Korea, but now there are only a few. Nowadays, many people pay little attention to folk festivals, such as March 3, Qixi Festival and other folk festivals or folklore activities. At the same time, under the background of economic globalization, Western culture has swept through Asia, and the rapid development of the market economy has made many people begin to only satisfy themselves with the pursuit of the material itself. Thus neglecting the deep understanding and inheritance of folk festival culture. 21 st century is the era of globalization. Now because the western culture occupies the dominant position in Asia, the traditional folk festival culture of China and Korea has been under unprecedented impact, and the enthusiasm and inheritance of the folk festival of China and South Korea have also been cooling day by day. Folk festivals have gradually lost the connotations and functions of the original folk culture. Folklore activities such as beggars and grass doll games are no longer able to give modern people enough excitement and stimulation. Folklore festivals such as daughter's Festival between China and South Korea have been gradually ignored by everyone. Because of their own changes in entertainment space, public space, heritage and development, such festivals as daughter's Day have also been restricted, coupled with the impact of western festivals. Such folk festivals cannot escape the declining fate. Therefore, from the perspective of space theory of urban folklore, this paper makes a detailed analysis of the present situation of the China-Korea daughter Festival, which is centered on March 3 and Qixi Festival, and applies the theory of space theory from the perspective of living space and entertainment space, respectively. The mobile space has carried on the detailed analysis research to the present situation of the Chinese and Korean daughter festival folk festival, has carried on the exploration to the present situation question and the inheritance plan. Through the study of the festival customs related to women, the relationship between women and festivals in traditional society and the relationship between women and society can be further understood. And with the daughter festival as the breakthrough point can also perspective the development of the whole traditional festival.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K891
本文编号：2352914
[Abstract]:There are four traditional Chinese festivals, which are March 3 (Shangsi Festival), May 5 (Dragon Boat Festival), July 7 (Qixi Festival) and September 9 (Double-ninth Day). In Korea's traditional festivals, these four festivals can also be known as the "daughter's Day." The months and dates of these four festivals are heavy, and they are all odd numbers. They are closely related to the study of yin and yang. The relationship between these four festivals and women is gradually revealed in the course of the evolution of the festival. In the course of the festival changes, many folklore activities were gradually formed for women. From ancient times to the present, women occupy a dominant position in the holding of folklore festivals. However, with the development and change of the society, the folk festivals in the farming age have been unable to meet the needs of people's life and emotion in modern society. As we all know, now the world is city-centered, the network all over the world of cultural villages. In the tense daily life, many folk festivals are gradually forgotten, so we are facing the crisis of folklore. For example, there used to be more than 300 folk games in Korea, but now there are only a few. Nowadays, many people pay little attention to folk festivals, such as March 3, Qixi Festival and other folk festivals or folklore activities. At the same time, under the background of economic globalization, Western culture has swept through Asia, and the rapid development of the market economy has made many people begin to only satisfy themselves with the pursuit of the material itself. Thus neglecting the deep understanding and inheritance of folk festival culture. 21 st century is the era of globalization. Now because the western culture occupies the dominant position in Asia, the traditional folk festival culture of China and Korea has been under unprecedented impact, and the enthusiasm and inheritance of the folk festival of China and South Korea have also been cooling day by day. Folk festivals have gradually lost the connotations and functions of the original folk culture. Folklore activities such as beggars and grass doll games are no longer able to give modern people enough excitement and stimulation. Folklore festivals such as daughter's Festival between China and South Korea have been gradually ignored by everyone. Because of their own changes in entertainment space, public space, heritage and development, such festivals as daughter's Day have also been restricted, coupled with the impact of western festivals. Such folk festivals cannot escape the declining fate. Therefore, from the perspective of space theory of urban folklore, this paper makes a detailed analysis of the present situation of the China-Korea daughter Festival, which is centered on March 3 and Qixi Festival, and applies the theory of space theory from the perspective of living space and entertainment space, respectively. The mobile space has carried on the detailed analysis research to the present situation of the Chinese and Korean daughter festival folk festival, has carried on the exploration to the present situation question and the inheritance plan. Through the study of the festival customs related to women, the relationship between women and festivals in traditional society and the relationship between women and society can be further understood. And with the daughter festival as the breakthrough point can also perspective the development of the whole traditional festival.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：K891
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