知识、组织与信仰——论传统匠作文化的关联性
发布时间：2019-08-14 16:46
【摘要】：整体性是非物质文化遗产保护的重要原则,关联性强调理解文化事象有机体的内部结构,使保护工作更具科学性。传统木结构营造技艺长期被认为是以鲁班木作为核心的技术群,以北京油漆彩绘作与木作的比较研究为例,从知识、组织和信仰三个层面切入,揭示两个"作"之间的关联性和相对独立性;同时,三个层面在文化关联上的相互纽结,进一步构建了传统匠作文化的有机整体。
[Abstract]:Integrity is an important principle of intangible cultural heritage protection, relevance emphasizes the understanding of the internal structure of cultural events organism, so that the protection work is more scientific. The traditional wood structure construction technology has long been regarded as the technical group with Lubanmu as the core, taking the comparative study of Beijing paint painting and wood as an example, from the three aspects of knowledge, organization and belief, to reveal the correlation and relative independence between the two "works", at the same time, the three levels of cultural connection each other, and further construct the organic whole of the traditional craftsman culture.
【作者单位】： 中国科学院自然科学史研究所;
【分类号】：K892.2
本文编号：2526678
[Abstract]:Integrity is an important principle of intangible cultural heritage protection, relevance emphasizes the understanding of the internal structure of cultural events organism, so that the protection work is more scientific. The traditional wood structure construction technology has long been regarded as the technical group with Lubanmu as the core, taking the comparative study of Beijing paint painting and wood as an example, from the three aspects of knowledge, organization and belief, to reveal the correlation and relative independence between the two "works", at the same time, the three levels of cultural connection each other, and further construct the organic whole of the traditional craftsman culture.
【作者单位】： 中国科学院自然科学史研究所;
【分类号】：K892.2
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1 陈捷;张昕;;世界文化遗产地匠作研究——五台山佛寺匠作概说[A];《营造》第五辑——第五届中国建筑史学国际研讨会会议论文集（上）[C];2010年
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