明清北京高梁桥文化研究

发布时间：2018-03-24 20:13

本文选题：明清　切入点：北京　出处：《西南大学》2009年硕士论文

【摘要】： 明代中后期,商品经济迅速发展,市镇勃兴,城市经济繁荣发展。在此基础上,形成了独具特色的城市文化。城市文化的发展和兴盛,致使城市之内或市郊出现了一些具有一定文化意涵的文化标志。诸如苏州城外之虎丘,杭州之西湖,南京之雨花台,而高梁桥则为北京地域文化的一种象征。本文着力探讨高梁桥文化的构成及其功能,并进一步探寻高梁桥文化的成因及其发展困境,以求明晰高梁桥文化盛衰的发展轨迹。全文共分为六个部分: 第一部分,在绪论中,阐述了论文的缘起,研究状况和研究意义,以及本文的研究思路和研究区域的界定。第二部分,在考述高梁河源流的基础上,进一步探讨宋辽高梁河之战的战场。第三部分,探析高梁桥文化的构成,细化为高梁桥文化的客体,诸如文化的生态、寺院文化、园林文化;高梁桥文化的主体,诸如市井士女、缙绅士大夫等等;高梁桥文化主体和客体的互动,如清明士女踏青、四月八日庙游、游贵戚花场、重午士女熙游、泛舟高梁河、高梁桥晓望。第四部分,从节日旅游和日常旅游两个方面分析高梁桥文化的功能,其中节日旅游又细化为岁时节日旅游和宗教节日旅游两个部分。在此基础上,进而把高梁桥文化界定为一种旅游文化。此外,伴随明清高梁桥旅游文化的兴盛,旅游消费应运而生。第五部分,从自然生态和社会生态两个方面剖析高梁桥文化形成的原因。高梁桥优越的自然地理位置及其附近和谐的生态环境,京师市井男女嬉游的自然需求,以及发达的商品经济,为北京旅游文化的兴盛奠定了物质基础,极大地促进了北京旅游文化的发展。在此基础上,京师人众于高梁桥趋之若鹜,从而形成了独具特色的高梁桥旅游文化。第六部分,在总结全文的基础上,进一步明晰高梁桥文化盛衰的发展轨迹,其结论为高梁桥文化盛于明代,至清代而日渐衰落。
[Abstract]:In the middle and late Ming Dynasty, the commodity economy developed rapidly, the towns flourished and the urban economy flourished. On this basis, a unique urban culture was formed. This has led to the emergence of cultural symbols within or outside the city, such as Huqiu outside Suzhou, West Lake in Hangzhou, Yuhuatai in Nanjing, Gaoliangqiao is a symbol of Beijing's regional culture. This paper focuses on the composition and function of Gaoliangqiao culture, and further explores the causes of Gaoliangqiao culture and its development dilemma. The thesis is divided into six parts:. The first part, in the introduction, elaborated the origin, the research situation and the research significance, as well as the research thought and the research area definition. The second part, on the basis of the source flow of the Sorghum River, further discusses the battle battlefield of the Song and Liao River. The third part analyzes the composition of Gaoliangqiao culture, which is divided into the object of Gaoliangqiao culture, such as the ecology of culture, temple culture, garden culture, the main body of Gaoliangqiao culture, such as the maids of the city, the gentry officials and so on. The interaction between the subject and object of Gaoliangqiao culture, such as Pure Brightness, Temple Tour on April 8, Gui Hua Chang, Sun Wu Shi Xi, Gaoliang River, Gao Liang Bridge Xiao Wang. The fourth part analyzes the functions of Gaoliangqiao culture from the aspects of holiday tourism and daily tourism, in which holiday tourism is divided into two parts: holiday tourism and religious holiday tourism. In addition, with the prosperity of tourism culture in Ming and Qing dynasties, tourism consumption came into being. The fifth part analyzes the reasons for the formation of Gaoliangqiao culture from the two aspects of natural ecology and social ecology. And the developed commodity economy has laid a material foundation for the prosperity of Beijing's tourist culture and greatly promoted the development of Beijing's tourist culture. Thus formed a unique high-beam bridge tourism culture. The sixth part, on the basis of summing up the full text, further clear the development track of Gaoliangqiao culture, its conclusion is that Gaoliangqiao culture flourished in the Ming Dynasty, and gradually declined in the Qing Dynasty.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2009
【分类号】：K248

【引证文献】