宋元至明清时期的宫廷水嬉、水戏与水台

发布时间：2018-05-12 15:37

  本文选题：宫廷史 + 宫廷戏曲　； 参考：《故宫博物院院刊》2017年06期

【摘要】：宋金杂剧的流行以及城市中瓦舍勾栏的存在为中国戏曲的成熟提供了必要条件。元杂剧的诞生标志着一种独立的综合艺术门类站上了历史舞台。与此同时,以训练水军为初衷的宫廷水上演出活动也更具仪式性,更为繁复与斑斓。戏曲只出现在明代之后的水上演出活动中。而承载宫廷水上演乐的演出空间,多为水边戏台与舟船,具有独特的观演关系。清代的宫廷水上戏台,一直留存至今,对民间演剧演出形式影响深远。也为今天宫廷史、戏曲史、剧场史的研究提供了丰富鲜活的文献、文物资料。
[Abstract]:The popularity of Song and Jin Dynasty dramas and the existence of Washer Goulan in the city provided the necessary conditions for the maturity of Chinese opera. The birth of Yuan Zaju marks an independent comprehensive art category on the stage of history. At the same time, the original intention of water training court water performance is more ritualistic, more complex and colorful. Opera only appeared in water performances after the Ming Dynasty. The performance space for performing music in court water is mostly waterside stage and boat, which has a unique relationship between watching and performing. The court water stage of the Qing Dynasty, which has been retained until now, has a profound influence on the performance form of folk dramas. It also provides rich living documents and cultural relics for the study of court history, opera history and theater history.
【作者单位】： 北京外国语大学艺术研究院;
【基金】：第59批中国博士后科学基金二等面上资助项目:《中国历代宫廷水上演出艺术史》阶段性成果,资助编号:2016M591130
【分类号】：I206.2;K23
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本文编号：1879167