从艺术、宗教到历史——中国壮族“末伦”与泰国佬族“麽蓝”艺术的比较研究

发布时间：2018-02-28 05:38

本文关键词： 歌唱传统比较研究壮族末伦佬族麽蓝　出处：《民族艺术》2017年03期 　论文类型：期刊论文

【摘要】：从广西德靖台地壮族"末伦"(Moedlaenz)与泰国东北部佬族"麽蓝"(Morlam)艺术比较研究,可推测出它们均源于宗教传统。从这两种艺术回归其背后的宗教传统"末"(Moed)和"麽"(Mo/Mor),在跨文化比较的视野中寻找它们之间关联,反观不同宗教形态的历史、从宗教到艺术的历史和族群关系的历史。其中,"末"是台语支各民族女性口承仪式及其执仪者的代称,"麽"的宗教信仰为台语支各民族所共有,它们在台语支人群分化之前就已存在。在德靖台地壮族社会,"麽"是在"末"的基础上分化和发展出来的,"末"是更古老的形态。产生于"末"的"末伦"和以宗教仪式唱诵为最古老形态的"麽蓝",都是后期形成的艺术形式,但"末伦""麽蓝"或与此相类似的称谓也许在壮族和佬族分化之前就存在了,是用以指谓台语支各民族共有的口头传统。
[Abstract]:A comparative study of the "Moedlaenz" of the Zhuang nationality in Dejing platform, Guangxi, and the" Molan "Morlamam of the Lao nationality in northeastern Thailand, It can be inferred that they all originate from religious traditions. From the return of these two kinds of art to the religious traditions behind them, "the end" and "Mo" / Mo / Moran, looking for their interconnections in the perspective of cross-cultural comparison, and looking at the history of different religious forms, The history from religion to art and the history of ethnic group relations. Among them, the "end" is the name of the ceremony of the women of all nationalities in the Taiwanese language branch and the name of the people who hold the ceremony. The religious beliefs of the "Mao" are shared by all the nationalities in the Taiwanese branch. They existed before the division of the Taiwanese subgroups. In the Zhuang society of Dejing platform, the "Mo" was divided and developed on the basis of the "end", and the "end" was an older form. The most ancient form of "Mo-Blue", which is sung in religious ceremonies, is an art form formed in the later period. But "Moulan" or similar appellations may have existed before the division of Zhuang and Lao ethnic groups, referring to the oral tradition shared by all nationalities in the Taiwanese language.
【作者单位】：广西民族大学文学院;四川大学文学与新闻学院;香港大学人文学院;
【基金】：国家社科基金项目“‘一带一路’视野下的壮泰族群歌唱传统研究”(16WZW026) 中国博士后科学基金资助项目“中国壮族和越南岱族、侬族民间歌唱传统的跨境比较研究”阶段性成果
【分类号】：B933;J11

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