陈与义《无住词》研究

发布时间：2018-02-04 01:56

本文关键词： 陈与义《无住词》思想内容创作特色继承与创新　出处：《河北大学》2017年硕士论文　论文类型：学位论文

【摘要】：陈与义《无住词》数量虽少,却成就极高,在宋词发展史上有极其重要的地位。对《无住词》的研究是陈与义研究的必不可少的内容。陈与义生活在南北宋之交,这是民族矛盾和阶级矛盾异常尖锐的时期,同时起起伏伏的仕宦经历也使作者逐渐厌倦官场而产生归隐的消极念头,以求远祸全身。这种思想表现在词中便是抒发兴亡离合的感受。从题材内容来看,《无住词》大体上可分为四类:一是忧时伤乱的感伤词,经历了靖康之乱,山河破碎,百姓流离,作者以其敏感的心灵感受国破家亡的痛苦,于是在词中忧国伤时、抚事念乱;二是描写物色的闲适词,陈与义的题画、咏物诗量多而质优,这类词作也是形神毕肖、情景交融,极有特色;三是感旧怀人的怀旧词,词人感旧怀友,常常在作品中抒发昔是今非的身世之感和家国之悲;四是偶露禅意之作,多艰的时代以及多舛的命运,使得词人在禅宗思想中寻找精神寄托。《无住词》形成了自己独特的艺术风格,首先在创作技巧上“以诗为词”,体现在对题材立意的诗化,摆脱了北宋令词多言儿女情的套路,呈现出高雅的士大夫气息,在词中抒发忧国之思;以及创作技巧的诗化,陈氏在作词过程中接受了江西诗派诗法的影响,将作诗的方法运用到填词中去,营造出新的境界。其次,表现在《无住词》风格清新明快、超旷豪迈,境界阔大、跌宕有致,用语自然、无疏笋气。陈与义《无住词》所采用的形式皆为令词,不仅继承了令词含蓄蕴藉的传统,同时又有所创见,表现在对令词题材、语言的创新以及推动令词雅化的进程上,使令词焕发出新的光彩,成为南渡词坛甚至是整个词史上一道独特而靓丽的风景。
[Abstract]:Although the number of Chen Yanyi's words without residence is small, his achievements are extremely high. In the history of Song ci development has an extremely important position. The study of "No dwelling ci" is the essential content of Chen Yonyi, who lives in the north and south of the Song Dynasty. This is an extremely sharp period of ethnic and class contradictions, while the ups and downs of the official experience also make the author gradually tired of the official field and the emergence of negative thoughts. This kind of thought is expressed in the ci to express the feelings of the rise and fall. From the content of the subject matter, there are four kinds of words: one is the sentimental words of sorrow and disorder, which experienced the chaos of Jing Kang. When the mountain and river are broken and the people are displaced, the author, with his sensitive heart, feels the pain of breaking the country and destroying his family, so when he worries about the country in his ci, he thinks of confusion. Second, the description of casual words, Chen Yue Yi's theme painting, chanting poetry quantity and quality excellent, this kind of ci is also the shape and spirit of Xiao, mixed feelings and scenery, extremely characteristic; The third is the nostalgic words of the feeling of the old and the nostalgia of the people. The ci writers often express in their works the feeling that the past is the present and the bad and the grief of the family and the country. Fourth, the occasional Zen works, more difficult times and more ill-fated fate, so that the poet in the Zen thought to seek spiritual sustenance. "No living ci" formed its own unique artistic style. First of all, "taking poetry as the word" in the creative technique is embodied in the poetic meaning of the subject matter, and gets rid of the routine of the love of many words and children in the Ling-ci of the Northern Song Dynasty, presents the elegant atmosphere of the literati and officials, and expresses the thoughts of the country in the ci. As well as the poetic writing skills, Chen accepted the influence of the poetry method of Jiangxi poetry school in the process of writing poetry, and applied the poetry writing method to fill in the words to create a new realm. Secondly. Performance in the "no living word" style fresh and bright, super broad and heroic, broad realm, down and down, natural language, no bamboo shoots. Chen Yanyi "living-free words" used by the form are Ling ci. It not only inherits the tradition of "Ling ci", but also has some creative ideas, which is manifested in the subject matter, language innovation and the process of promoting the refinement of ci words, which makes the ci words radiate with new brilliance. It has become a unique and beautiful landscape in the history of Nandu ci.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.23

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