明代长篇小说开篇艺术研究

发布时间：2018-06-02 00:06

本文选题：明代 + 长篇小说　；参考：《长春师范大学》2017年硕士论文

【摘要】：自宋代以来中国古典长篇小说卷帙浩繁,发展到明清时期,随着历史演义、英雄传奇、神魔小说、世情小说等题材的不断丰富,作家创作技巧日臻成熟,长篇小说的结构布局呈现出多样性,开篇作为其中的一部分,也形成了独特的艺术魅力和叙事模式。在封闭文本意义的基础上,明清长篇小说开篇突破了以往简单的交待模式,无论在情节的展开还是叙事的手法上都做了纵深探索,以创作情感的矛盾来展现作品生态的真实,以美学风格的悖反来加强阅读效果,以叙事节奏的缓急来烘托情节轻重,以有血有肉的开篇人物来带动情节的开展,在作家的不断创作和发掘中达到了前所未有的艺术高度。本文对明代主要长篇小说的开篇进行了系统梳理,结合小说开篇在整体结构中的功能和作用,对明代长篇小说开篇的艺术性做了探究和阐释,以期对明代长篇小说独特的开篇艺术加以归纳和总结。全文共分为四个部分:引言部分大致梳理了明代长篇小说的研究现状,介绍了国内学者的研究成果;同时框定了明代长篇小说的研究范围,在开篇一词的界定中,进一步明确了小说开篇是一个“段”而非一个“点”的概念,明确了研究对象。正文的第一部分探讨的是明代长篇小说开篇的模式。长篇小说以描写人物众多为主要特点之一,包括中心人物、次要人物、正面人物与反面人物,所以首先介绍人物开篇,第二介绍情节类型的开篇模式,第三介绍“楔子开篇。第二部分探讨的是明代长篇小说开篇中的叙事艺术。主要探讨了“首”与“尾”的预叙功能,同时明代长篇小说的开篇艺术也体现在作者的不同叙事视角上,既有对历史、演义的“公正”视角,也有对世情讽刺抨击的“俯瞰”视角。第三部分探讨的是明代长篇小说开篇中体现的思想。联系时代背景和民族审美心理,从儒家思想、哲学思想、宗教思想三个方面对明代长篇小说开篇的文化导向和意涵做了阐释。第四部分探讨的是明代长篇小说开篇的功能。通过分析世情小说、历史演义小说、英雄传奇小说和公案小说不同的开篇,在出场人物、事件中的不同布局方式和写作手法,研究其体现出来的两种主要功能,一是统领全篇的结构功能,二是凸显主题的寓意功能。
[Abstract]:Since the Song Dynasty, the Chinese classical novels have been voluminous, and developed to the Ming and Qing dynasties. With the continuous enrichment of historical Romance, Heroes and Legends, the novels of gods and demons, and the novels of worldly feelings, the writers' creative skills have matured day by day. The structure of the novel presents diversity, the opening as a part of it, but also formed a unique artistic charm and narrative mode. On the basis of closing the meaning of the text, the opening of the novels in Ming and Qing dynasties broke through the previous simple mode of account, both in the plot of the development or narrative techniques have done in-depth exploration, to create emotional contradictions to show the ecological truth of the work. To strengthen the reading effect with the contrary of aesthetic style, to contrast the plot with the order of narrative rhythm, and to promote the development of the plot by the flesh and blood opening characters, which has reached an unprecedented artistic height in the continuous creation and excavation of the writer. This paper systematically combs the opening of the main novels of Ming Dynasty, and explores and explains the artistry of the opening of the novels of the Ming Dynasty, combining the functions and functions of the opening of the novels in the whole structure. In order to sum up and summarize the unique opening art of Ming Dynasty novels. The full text is divided into four parts: the introduction part roughly combs the present situation of the Ming Dynasty novel research, introduces the domestic scholar's research achievement, at the same time has defined the research scope of the Ming Dynasty novel, in the beginning one word definition, It further clarifies the concept that the beginning of the novel is a "paragraph" rather than a "point", and clarifies the object of study. The first part of the text discusses the opening mode of the Ming Dynasty novel. One of the main features of the novel is the description of many characters, including the central character, the minor character, the right character and the negative character, so the first part introduces the characters, the second introduces the opening mode of the plot type, and the third introduces the wedge. The second part discusses the narrative art in the beginning of Ming Dynasty novels. This paper mainly discusses the prenarration function of "the first" and "the end", and at the same time, the opening art of the novels of the Ming Dynasty is also reflected in the author's different narrative perspectives, including the perspective of "justice" to the history and the romance. There is also a "overlooking" view of the sarcasm of the world. The third part discusses the thoughts embodied in the opening of Ming Dynasty novels. In connection with the background of the times and the national aesthetic psychology, this paper explains the cultural orientation and implication of the opening novel of Ming Dynasty from three aspects: Confucian thought, philosophical thought and religious thought. The fourth part discusses the function of opening novel in Ming Dynasty. Through the analysis of the different opening of the world romance novel, the historical romance novel, the hero legend novel and the public case novel, the different layout methods and writing techniques in the appearance of the characters, the events, the two main functions embodied in the novel are studied. One is to dominate the structure of the whole function, the other is to highlight the theme of the moral function.
【学位授予单位】：长春师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.41

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