明清艳情小说的故事语法与文化内涵研究
发布时间:2018-06-01 19:43
本文选题:艳情小说 + 故事语法 ; 参考:《湖北师范大学》2017年硕士论文
【摘要】:20世纪80年代以来,随着社会、文化与学术观念的开放,越来越多的学者开始涉足明清艳情小说这一领域,并且取得了较为丰硕的成果,但从叙事学角度切入这一领域的研究,仍留下较大学术空间。本文试图以结构叙事学和文化叙事学角度为切入点,对明清艳情小说中故事组织规则即故事语法进行研究,并分析隐含在这种故事语法下面的文化内涵。文章分为四部分:一、以结构叙事学为基础,借鉴托多罗夫、布雷蒙、格雷马斯等人的研究模式,对明清艳情小说的故事语法进行研究,归纳出众多明清艳情小说几种共同的故事语法,清理不同故事语法的主要构成要素;二、从小说发展史角度,归纳出明清之前中国古代小说中关于两性违规情爱关系故事的主要故事语法,并与明清艳情小说故事语法进行比较,揭示其异同;三、从文化论角度,探讨明清艳情小说故事语法与文化语境和文化规则之间的内在关联,由此揭示明清艳情小说故事语法积淀的文化内涵;四、最后,从理论上探讨故事的技术性构成规则与文化规则之间的内在关系。
[Abstract]:Since the 1980s, with the opening of society, culture and academic ideas, more and more scholars have set foot in the field of romantic novels in the Ming and Qing dynasties, and have achieved fruitful results, but from the perspective of narratology, they have been involved in the research in this field. Still leave larger academic space. From the perspective of structural narratology and cultural narratology, this paper attempts to study the rules of story organization in romantic novels of Ming and Qing dynasties, that is, story grammar, and analyze the cultural connotations hidden under this kind of story grammar. The article is divided into four parts: first, based on the structural narratology, using the research model of Todorov, Bremond, Greimas, etc., to study the story grammar of romantic novels in Ming and Qing dynasties. Sum up several kinds of common story grammar of many romantic novels in Ming and Qing dynasties, and clear up the main elements of different story grammar. Second, from the perspective of the history of novel development, This paper sums up the main story grammar of Chinese ancient novels before Ming and Qing dynasties about the relationship between sexual and illegal love, and compares it with the story grammar of romantic novels in Ming and Qing dynasties to reveal its similarities and differences. Thirdly, from the angle of cultural theory, This paper probes into the inner relation between the story grammar and cultural context and cultural rules of romantic novels in Ming and Qing dynasties, thus revealing the cultural connotation of the accumulation of story grammar in romantic novels in Ming and Qing dynasties. This paper theoretically discusses the inner relationship between the technical constitution rules and the cultural rules of the story.
【学位授予单位】:湖北师范大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:I207.41
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