《西游补》的叙事研究

发布时间：2018-06-03 02:19

本文选题：《西游补》 + 叙事结构　；参考：《重庆师范大学》2017年硕士论文

【摘要】：《西游补》是《西游记》的续书,全书共十六回,有四万多字,描写行者被鲭鱼精所迷,进入鲭鱼精所幻造的“青青世界”的梦境。该书自问世以来,就受到不少学者的关注,但学界对其研究较为分散,特别是对其叙事艺术的探究还不够深入。本文旨在从叙事学的角度切入,对《西游补》离奇突出、变化多端的叙事手法进行一个比较系统的研究,以期更好地理解这部作品。本文分为绪论、主体、结语三部分。绪论部分主要对《西游补》的研究现状进行梳理,指出了《西游补》叙事手法方面研究的不足,并在此基础上提出本文的研究意义。论文主体部分共分为三章。第一章论述《西游补》的叙事结构。文章从表层结构和深层结构入手,不仅讨论了《西游补》外在结构的独特性,在表层结构上表现为独特的环形结构;还对《西游补》的内在意蕴做了阐释,在深层结构上蕴含着“有、无”之间的二元对立转化。第二章运用西方叙事理论,结合我国已有的叙事传统,对《西游补》的叙述者和叙事视角进行分析。文章在研究《西游补》叙述者时,主要从故事外叙述者和故事内叙述者两个角度展开论述,指出《西游补》的叙述者由传统的“说话式”叙述者向现代叙述者转变;在研究《西游补》的叙事视角时,注重考查文本全知视角和限知视角、内视角和外视角的运用以及各个视角之间的转换。第三章在理解文本内容的基础上,对《西游补》的叙事时空进行研究。在叙事时间方面,文章特别研究了《西游补》中梦幻时间,并指出其梦幻时间具有梦真形态对比和古今时间错综等特点;在叙事空间方面,文章从《西游补》存在的空间形式和空间转换方式两方面入手,重点考察梦幻空间的特点,对其叙事空间进行研究,揭示出《西游补》独特的时空艺术。结语部分对《西游补》的叙事艺术进行总结,指出其叙事技巧的独特性,对中国传统小说叙事模式的突破及对现代小说创作的启示。
[Abstract]:The book is a continuation of "Journey to the West". The book has more than 40,000 words, depicting the dream of "green world" created by mackerel essence. Since the book was published, many scholars have paid close attention to it, but the research on it has been scattered in academic circles, especially in its narrative art. From the perspective of narratology, this paper aims to conduct a systematic study on the strange and varied narrative techniques of "making up for the West" in order to better understand the novel. This article is divided into three parts: introduction, subject and conclusion. The introduction part mainly combs the present situation of the research of "the West Tour Bun", points out the insufficiency of the study on the narrative technique of the "Western Tour Bun", and puts forward the significance of this paper. The main body of the thesis is divided into three chapters. The first chapter discusses the narrative structure of "the West Tour Bun". Starting with the surface structure and the deep structure, this paper not only discusses the uniqueness of the outer structure, but also explains the inner meaning of the outer structure. In the deep structure, there is a dualistic transformation between being and nothing. The second chapter analyzes the narrator and narrative angle of "travel to the west" by using the western narrative theory and the existing narrative tradition of our country. When studying the narrator of "West Tour Bun", this paper mainly discusses from the two angles of the narrator outside the story and the narrator in the story, and points out that the narrator of the "West Tour Bun" has changed from the traditional "talking" narrator to the modern narrator. In the study of narrative perspective, we pay attention to the use of omniscient perspective and restricted perspective, the application of internal perspective and external perspective and the transformation of each perspective. On the basis of understanding the content of the text, the third chapter studies the narrative time and space. In terms of narrative time, the article especially studies the dream time in "traveling to the West", and points out that the dream time has the characteristics of the contrast of the true dream form and the complexity of the ancient and modern time, and the narrative space, and so on. This article starts with the space form and the space conversion mode of "the West Tour Bun", mainly studies the characteristics of the dream space, studies its narrative space, and reveals the unique space-time art of "the West Tour Bun". In the conclusion part, the author summarizes the narrative art of "Tour to the West", points out the uniqueness of its narrative skills, and points out the breakthrough of the narrative mode of Chinese traditional novels and its inspiration to the creation of modern novels.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：I207.41

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