从斯坦尼斯拉夫斯基体系看李雪健影视形象塑造

发布时间：2018-01-11 14:08

本文关键词：从斯坦尼斯拉夫斯基体系看李雪健影视形象塑造　出处：《内蒙古大学》2017年硕士论文　论文类型：学位论文

【摘要】：在中国影视表演艺术发展的百年进程中,由稚嫩到繁盛,为观众提供丰富生动审美愉悦的同时,也体现了深厚的人文积淀和艺术意蕴。其中,表演艺术理论的发展既一脉相承,又不断融合吸收着多彩纷呈的现代表演理论。已有百岁高龄的斯坦尼斯拉夫斯基表演体系(以下简称"斯氏体系")自创立以来所具有的实践意义和理论价值,在演员创作的过程中起到了不可小觑的作用。但随着俄国的梅耶荷德、波兰的格罗托夫斯基、美国的理查德谢克纳以及日本的铃木忠志等现代表演理论的广泛传播,许多影视演员认为,"斯氏体系"关于创造性格化人物的理论早已过时。演员在境头前应该是本色出演,观众欣赏的是他们自身的性格魅力,无需创造性格化的人物。源于这样的创作观点,导致了在一些影视作品中,我们看到的是如出一辙的表演,人物性格化的塑造已经不再受到演员的重视了。我国著名的表演艺术家李雪健,在银幕和荧屏上塑造过许多鲜活、生动的人物形象,他出色的演技和秉承的现实主义创作原则体现了老一辈表演艺术家所特有的艺术精神。本文通过研究李雪健塑造的具有典型意义的影视形象,试分析他在艺术创作过程中对"斯氏体系"的运用以及他的表演艺术魅力,进而挖掘他的艺术精神。本论文的第一部分,首先是对"斯氏体系"的概述,试分析"斯氏体系"的创作原则以及对我国话剧表演和影视表演的影响。第二部分是对李雪健影视表演艺术发展历程的分析。主要分为四个阶段:艺术创作的起步阶段、成长阶段、成熟阶段和飞跃阶段,通过对这四个阶段他所创作的作品进行定量分析研究,总结出他在不同时期的创作特点。第三部分是从李雪健塑造的具有代表性的影视形象出发,探索他在表演创作过程中对"斯氏体系"的运用。第四部分是对李雪健艺术精神的挖掘。主要对他所持有的艺术创作态度、创新精神、突破精神以及敬业精神进行剖析,从而对我国演员的表演艺术创作提供值得借鉴的宝贵经验。
[Abstract]:In the century-long process of the development of Chinese film and television performing arts, from tender to prosperous, it provides the audience with rich and vivid aesthetic pleasure, but also reflects the profound humanistic accumulation and artistic implication. The development of the theory of performing arts is in the same vein. Meanwhile, it has absorbed the colorful theory of modern performance. The Stanislawski performance system (hereinafter referred to as "the system") has its practical significance and theoretical value since it was founded. Played an important role in the process of actors' creation. But with Russia's Meyerhod, Poland's Grotowski. The widespread spread of modern performance theories such as Richard Shekner of the United States and Takeshi Suzuki of Japan is considered by many film and television actors. The theory of creating character characters in the system has long been out of date. Actors and actresses are supposed to be acting in their own way, and the audience appreciates their own charisma. There is no need to create characters of character. This is the source of this creative point of view, leading to some film and television works, we see the same performance. Chinese famous performing artist Li Xuejian has created a lot of vivid and vivid characters on screen and screen. His outstanding acting skills and the principle of realistic creation embody the unique artistic spirit of the older generation of performing artists. This paper studies the typical film and television images created by Li Xuejian. The first part of this thesis is an overview of the first part of this thesis. The second part is the analysis of the development process of Li Xuejian's film and television performing art, which is divided into four stages:. The initial stage of artistic creation. The growth stage, the mature stage and the leap stage, through the four stages of his works of quantitative analysis. Summary of his creative characteristics in different periods. The third part is from Li Xuejian's representative film and television image. The 4th part is to excavate Li Xuejian's artistic spirit, mainly to his attitude of artistic creation, innovative spirit. The breakthrough spirit and the spirit of dedication are analyzed, thus providing valuable experience for the actors and actresses in our country.
【学位授予单位】：内蒙古大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J912

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