中国家庭伦理剧批评中的叙事批评研究

发布时间：2018-03-14 08:45

本文选题：中国家庭伦理剧　切入点：电视剧叙事　出处：《湖北师范学院》2014年硕士论文　论文类型：学位论文

【摘要】：本文以中国家庭伦理剧批评中的叙事批评为研究对象,旨在探讨中国家庭伦理剧叙事批评的发展特征,分析中国家庭伦理剧叙事批评借用中国传统叙事学、西方经典叙事学和后经典叙事学理论对中国家庭伦理剧的叙事形式和意识形态意义进行批评的成就与经验得失。本文由三个部分组成,即绪论、正文(共计三章七节)和结语组成。绪论部分对本文研究的缘起与对象进行了说明,对本文选题的研究现状与文献进行了描述,阐明了本文选题的研究目的与意义,最后对本文采用的研究方法作了必要的说明。第一章的内容有三个方面：首先,对中国家庭伦理剧的概念、类型与特征进行了界定和分析,对中国家庭伦理剧的发展历史及其特征等作了简要的描述。其次,对本文中的“叙事”、“电视剧叙事”和“叙事批评”等重要概念进行了界定,对中国家庭伦理剧叙事批评的阶段性、多样性与杂糅等特征进行了描述和分析。再次,对中国家庭伦理剧叙事批评的理论资源,即中国传统叙事学、西方经典叙事学、后经典叙事学和影视叙事学等作了简要的描述。第二章研究偏重形式分析的中国家庭伦理剧叙事批评,其内容有两个方面：一是研究对中国家庭伦理剧叙述形式的叙事批评,具体表现在对电视剧的叙述视角、叙述者和叙事时间的分析批评上；二是研究对中国家庭伦理剧故事结构的叙事批评,具体表现在人物、情节和叙事结构的分析批评上。二者借用的叙事学理论,既有中国传统叙事学,也有西方经典叙事学。从叙事批评取得的成就上看,对故事结构的批评高于对叙述形式的批评。第三章研究超越形式分析的中国家庭伦理剧叙事批评,其内容有两个方面：一是研究中国家庭伦理剧批评中的女性主义叙事批评,对其兴起的原因、与女性主义批评的异同及其对中国家庭伦理剧叙事的性别政治的阐释等,进行了分析;二是研究具有后经典叙事学色彩的中国家庭伦理剧的叙事批评,对其在中国家庭伦理剧叙事形式的意识形态性与文化意蕴的阐释、阐释操作方法及其批评方法的“自主创新”等,进行了具体的分析。结语部分对中国家庭伦理剧叙事批评的亮点、弱点和盲点等进行了总结,对中国家庭伦理剧叙事批评的发展趋势作了展望。
[Abstract]:This paper takes the narrative criticism in Chinese family ethics drama criticism as the research object, aims to probe into the development characteristics of Chinese family ethics drama narrative criticism, and to analyze that Chinese family ethics drama narrative criticism borrows from Chinese traditional narratology. The western classical narratology and the post-classical narratology theory are the achievements and experiences in criticizing the narrative form and ideological significance of Chinese family ethics dramas. The text (total of three chapters and seven sections) and the conclusion of the composition. In the introduction part, the origin and object of this paper are explained, the research status and literature of this thesis are described, the purpose and significance of the research are expounded, and the research methods used in this paper are explained. The first chapter has three aspects: firstly, it defines and analyzes the concept, types and characteristics of Chinese family ethics drama, and gives a brief description of the development history and characteristics of Chinese family ethics drama. This paper defines the important concepts of "narrative", "TV drama narrative" and "narrative criticism", and describes and analyzes the characteristics of Chinese family ethics drama narrative criticism, such as stage, diversity and hybridity. This paper gives a brief description of the theoretical resources of narrative criticism of Chinese family ethics drama, that is, Chinese traditional narratology, western classical narratology, post-classical narratology and film and television narratology. The second chapter studies the narrative criticism of Chinese family ethics drama with emphasis on form analysis, which has two aspects: one is to study the narrative criticism of the narrative form of Chinese family ethics drama, which is embodied in the narrative angle of TV drama. The second is to study the narrative criticism of the story structure of Chinese family ethics drama, which is embodied in the analysis and criticism of characters, plot and narrative structure. There are not only Chinese traditional narratology but also western classical narratology. From the point of view of the achievements of narrative criticism the criticism of the structure of the story is higher than the criticism of the narrative form. The third chapter studies the narrative criticism of Chinese family ethics drama beyond formal analysis, which has two aspects: one is to study the feminist narrative criticism in the criticism of Chinese family ethics drama, and the reasons for its rise. This paper analyzes the similarities and differences with feminist criticism and its interpretation of gender politics in the narrative of Chinese family ethics drama, and studies the narrative criticism of Chinese family ethics drama with the color of post-classical narratology. This paper makes a concrete analysis of the ideology and cultural implication of the narrative form of family ethics drama in China, as well as the "independent innovation" of the operation method and its critical method. The conclusion summarizes the highlights, weaknesses and blind spots of Chinese family ethics drama narrative criticism, and prospects the development trend of Chinese family ethics drama narrative criticism.
【学位授予单位】：湖北师范学院
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

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