国内历史题材纪录片的叙事研究

发布时间：2018-03-14 09:18

本文选题：历史题材纪录片　切入点：叙事方式　出处：《福建师范大学》2014年硕士论文　论文类型：学位论文

【摘要】：新世纪以来,历史题材纪录片作为纪录片的一个重要分支,受到越来越多电视观众的关注和喜爱,各种历史纪实类的电视栏目也大获追捧。一些国外的大制作,如探索发现,国家地理杂志等制作的节目无论在题材内容的选择上还是技术的表现上都深深地震撼了国内观众,成为电视屏幕上一股不可小觑的力量。反观国内历史纪录片在发展壮大的过程中,虽不乏精良之作,但粗制滥造也同样充斥其中,问题很一致地指向了“叙事”的环节上。国内历史纪录片经历了,从早期的文献汇编式的纪录话语形式、中期的宏大叙事创作到近期开始关注市场和观众收视口味的小众历史故事这三个阶段,无论在创作手法还是创作观念上都有了不同程度的改变和突破。在叙事上经历几次较大的演变,尤其是“新历史主义叙事观”的确立使得历史纪录片的创作更驱灵活和多变,至今已经发展出了几种比较成熟的类型。正文的第二章部分首先对纪录片的概念和定义以及特征做了一番梳理,并且对纪录片能否成为一门叙事艺术作出了详细的论证,最后从影视叙事理论入手进入到纪录片的叙事问题当中,总结出了研究纪录片的叙事需要面对的几个问题。第三章、第四章开始从国内历史纪录片的叙事演进谈起,分析归纳出不同历史时期国内历史纪录片的叙事观念演变和发展,接着总结论述了几种历史纪录片的叙事方式,重点谈及各种叙事方式的叙事效果,并结合具体实例分析,作出客观的评判和建议。第五章则是对第四章内容的一个深化和补充,从叙事视点、叙事结构和叙事节奏三个方面入手,阐述历史纪录片在叙事上的技巧和策略。本文结尾部分通过对比长期以来中外历史纪录片的创作实践,找出差距和不足,对国内历史纪录片的国际化之路寄以了期望。
[Abstract]:Since the new century, as an important branch of documentaries, documentaries of historical themes have attracted more and more attention and love from television viewers, and TV programs of various historical documentary types have also gained a lot of popularity. Some overseas major productions, such as exploration and discovery, The programs produced by National Geographic magazine have deeply shocked the domestic audience both in the choice of subject matter and in the performance of technology, and have become a force that cannot be underestimated on the television screen. On the other hand, although there are no lack of excellent works in the course of the development and expansion of domestic historical documentaries, they are also flooded with shoddy production. The problems are very consistent with the "narrative" link. Domestic historical documentaries have experienced, From the early form of documentation-style documentary discourse, the creation of grand narratives in the middle to the recent three stages of focusing on the market and the audience's taste of minority historical stories, There have been some changes and breakthroughs in both creative techniques and creative concepts. The narrative has experienced several great changes, especially the establishment of "New Historical narrative View", which makes the creation of historical documentaries more flexible and changeable. So far, several more mature types have been developed. The second part of the text firstly combs the concept, definition and characteristics of the documentary, and makes a detailed demonstration on whether the documentary can become a narrative art. Finally, from the film and television narrative theory into the documentary narrative issues, summed up the documentary narrative needs to face several problems. Chapter three, Chapter 4th begins with the narrative evolution of domestic historical documentaries, analyzes and sums up the evolution and development of narrative concepts of domestic historical documentaries in different historical periods, and then summarizes and discusses the narrative methods of several historical documentaries. This paper focuses on the narrative effect of various narrative methods, and makes objective judgment and suggestions based on concrete examples. Chapter 5th is a deepening and supplement to the content of Chapter 4th. From three aspects of narrative viewpoint, narrative structure and narrative rhythm, this paper expounds the narrative techniques and strategies of historical documentary. At the end of this paper, by comparing the creation practice of Chinese and foreign historical documentaries for a long time, the author finds out the gap and deficiency, and expects the internationalization of domestic historical documentaries.
【学位授予单位】：福建师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J952

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