媒介公共文化空间、青年意识形态与网生代的崛起——论“微电影”的社会文化意义

发布时间：2018-03-14 13:15

  本文选题：电影艺术　切入点：微电影　出处：《艺术百家》2016年01期 　论文类型：期刊论文

【摘要】：在一个全媒介时代,在加入微电影之后,大电影的公共话语空间是跨媒介扩展、全媒介延伸、全方位展开、多元化建构的状态,是全媒介时代、"互联网+"时代的"众声喧哗"。网生代导演和网生代电影观众的崛起是电影界的一个热门话题。微电影是青年文化的代名词或者说是青年文化、青年意识形态的载体和发动机。他们是以反讽、颠覆、搞笑、娱乐化的方式,从边缘借助商业和媒体、网络的力量向中心突进,向成人社会显示自己的存在。网生代导演有一种先锋、实验、独立的艺术家气质和精神。微电影是时代发展、媒介变迁的现实产物,它带来了诸多革命性的观念变革、产业革命和电影语言及文化功能的变化,等等。但作为新事物,微电影仍有很多问题有待观察:其一,空间性的开放性与时间的破碎问题;其二,微电影艺术品质的降解,电影本体的消散等问题;其三,电影批评的失效和失语问题。
[Abstract]:In an all-media age, after joining the micro-film, the public discourse space of the big film is a state of cross-media expansion, all-media extension, all-directional expansion and pluralistic construction. In the age of all media and the "clamor of the public" in the "Internet" era, the rise of the web-student director and the movie audience in the Internet generation is a hot topic in the film industry. Microfilm is a synonym for youth culture or, in other words, youth culture. The carrier and engine of youth ideology. They are moving from the edge to the center with the power of commerce and the media in a way that is ironic, subversive, amusing, entertaining. Show your existence to the adult society. There is a pioneer, experiment, independent artist temperament and spirit. Micro film is the realistic product of the development of the times and the change of the media, it has brought a lot of revolutionary change of ideas. The industrial revolution and the changes in film language and cultural functions, etc., but as new things, microfilms still have many problems to be seen: first, the spatial openness and the fragmentation of time; second, the degradation of the artistic quality of microfilms, Thirdly, the invalidation and aphasia of film criticism.
【作者单位】： 北京大学艺术学院;
【分类号】：J905
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本文编号：1611370