中国传统建筑元素在动画场景中的应用

发布时间：2018-03-14 13:51

本文选题：中国传统建筑元素　切入点：动画场景　出处：《重庆师范大学》2017年硕士论文　论文类型：学位论文

【摘要】：我国动画产业在上世纪五十年代到八十年代期间曾在世界动画市场上占据着非常重要的地位,这些优秀动画作品中有一个普遍的特点就是:每部作品中都运用了独特鲜明的中国传统文化元素。但是随着中国动画产业的不断再发展,动画作品中具有代表性的中国元素却一点点消失,逐渐进入到了一种缺乏传统民族文化,不再以鲜明的民族符号和特征打动观众的境地。本文就是以如何在动画中融入中国传统文化为思考,主要研究中国传统建筑元素在动画场景中的运用。本文首先选取了我国早期的优秀动画和日本、美国这两个动画强国的优秀动画代表作,即中国早期的《大闹天宫》、日本的《千与千寻的神隐》和美国的《功夫熊猫》,通过个案研究法和对比分析法探讨各国在动画场景中对于传统建筑元素的运用,目的是为了从中汲取经验、找出自身问题,同时也可以缩小我国动画与日本、美国等动画强国之间的差距。其次,通过分析优秀动画作品当中场景里所运用传统建筑元素的情况,再反思我国目前的现状,可以发现我国目前在三方面存在问题,分别是:对可利用建筑元素的提取不充分、建筑的形态色彩没有整体概括、建筑元素没有适当的变化融合。同时也强调在与动画强国进行对比分析的时候,是查找自身不足的一个过程,中国动画一定要坚定的立足本土文化,以防东施效颦,失去越来越多的观众。最后,根据分析得出的问题以及依照传统建筑元素在动画场景中的作用和要求,本文从剧本创作、场景设定、色彩营造三方面提出具体的应用方法,并在一些具体问题上结合影片《花木兰》中的场景来说明。中国传统建筑具有实用和审美的双重价值,是传统文化当中的典型代表,因此我们研究如何将中国传统建筑元素运用到动画场景中,不仅是因为它可以丰富动画的情节和画面的表现力,更多的是可以赋予动画作品具有深层次的内涵,并且透过动画场景散发出更多让观众可解读的内容,也以此向世界展示中国的优秀传统文化。
[Abstract]:From -50s to 80s, China's animation industry once occupied a very important position in the world animation market. One of the common features of these excellent animation works is that each works uses unique and distinct elements of Chinese traditional culture. But with the continuous development of the Chinese animation industry, The representative Chinese elements in the animation works have gradually disappeared and gradually entered a lack of traditional national culture. No longer move the audience with distinctive national symbols and characteristics. This paper is thinking about how to integrate Chinese traditional culture into animation. This paper mainly studies the application of Chinese traditional architectural elements in animation scenes. Firstly, this paper selects the excellent animation masterpieces of the two animation powers, Japan and the United States. That is, in the early days of China, in Japan, in Japan and in thousand fathom, and in the United States, in Kung Fu Panda, the use of traditional architectural elements in animation scenes was discussed through case studies and comparative analysis. The purpose is to learn from the experience, to find out their own problems, but also to narrow the gap between our animation and Japan, the United States and other animation powers. Secondly, By analyzing the situation of traditional architectural elements used in the scene of excellent animation works and reflecting on the present situation of our country, we can find that there are three problems in our country at present. They are: the extraction of usable architectural elements is not sufficient, The shape and color of the building are not summarized as a whole, and the architectural elements are not properly changed and merged. At the same time, it also emphasizes that when comparing with the powerful animation country, it is a process of finding out its own shortcomings. Chinese animation must be firmly based on local culture in order to avoid imitating and losing more and more audience. Finally, according to the analysis of the problems and according to the role and requirements of traditional architectural elements in the animation scene, this article from the script writing, Setting the scene, creating the color, putting forward the concrete application method, and combining the scene in the film "Hua Mulan" on some concrete problems. The Chinese traditional architecture has the dual value of practical and aesthetic. Is a typical representative of traditional culture, so we study how to apply Chinese traditional architectural elements to the animation scene, not only because it can enrich the animation plot and the expressive power of the picture. What is more, it can endow animation works with deep connotation, and send out more content that can be interpreted by the audience through the animation scene, and also show the world the excellent Chinese traditional culture.
【学位授予单位】：重庆师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954

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