宁浩电影《无人区》中的人性回归

发布时间：2018-04-13 01:31

本文选题：宁浩 + 人性回归　；参考：《曲阜师范大学》2015年硕士论文

【摘要】：探讨人性题材的电影自电影诞生以来比比皆是,人性也一直是一个主流的电影主题。像《七宗罪》、《沉默的羔羊》、《穆赫兰道》、《杀死比尔》等等都分别从不同角度对人性进行了细致刻画描写,给观众留下深刻的思考。而且对于人性的讨论也一直是电影界的焦点,这其中包含很多种的电影类型,像战争题材、异形题材、社会题材等。纵观优秀的战争题材电影所表现的不仅仅是人头落地、鲜血横流的场面,更是对心灵的摧残和对人性的绞杀,像《辛德勒名单》、《钢琴家》等都对人性进行了深刻的探讨;异形类的电影大多都是事先描述人类充满贪欲无知,漠视亲情,造成无可挽回的损失等背景,再通过故事的发展进行描述,让观众通过故事去联想思考,比如《第九区》、《冻结之地》都直接揭露丑恶的人性;民生社会题材的电影大多通过描述病态的社会、病态的价值观来揭露病态的人性或者彰显人性的美好,像《杀生》、《1942》,从不同角度描述了人性的病态和真善美。本文以宁浩导演《无人区》中的人性回归作为主要研究对象,从导演历程和以往作品内容为表层叙述,对宁浩导演作品的人性回归历程进行内在分析。本文分五个章节:在第一章节里,概括人性回归的理念,介绍导演其人其事,概括性的描述宁浩导演主要电影作品中的人性回归,分析电影《无人区》中的的角色人性转变,给下文奠定基调;在第二、三、四章节,分别从人物塑造、影像风格和画面特色对《无人区》中的人性回归进行分析;在第五章节,探讨了宁浩电影《无人区》中人性回归的本土化改造和对人的动物性与社会性进行分析,以及分析了古希腊悲剧作品对于电影《无人区》的现实映射,从而构建了宁浩对于类型电影的尝试突破以及作品充满人性关注的特色的美学体系,借此希望能对中国当代电影进行一些总结及对未来发展提供一些建议与参考。
[Abstract]:Since the birth of the film, human nature has been a mainstream theme.For example, the Seven sins, the Silent Lamb, Mukhran's Road, killing Bill, and so on, all depict the human nature from different angles, leaving the audience with deep thinking.Moreover, the discussion of human nature has always been the focus of the film industry, which includes many kinds of film types, such as war theme, abnormal theme, social theme and so on.The excellent war movies not only show the landing of the human head, the scene of blood flowing, but also the destruction of the soul and the strangling of human nature, such as Schindler list, pianist, and so on have carried on the profound discussion to the humanity;Most of the special-shaped films describe in advance human beings full of greed, ignorance, disregard for affection, irreparable loss, and other backgrounds, and then describe through the development of the story, let the audience think through the story to associate.For example, "District 9", "Frozen Land", directly exposes ugly human nature; most films about people's livelihood and society reveal pathological human nature or show the beauty of human nature by describing sick society and ill-conditioned values.Like Kill, < 1942 >, it describes the morbid nature, truth, goodness and beauty from different angles.This paper takes the return of human nature in Ninghao's "No Man's Land" as the main research object, from the director's history and the previous works' content as the surface narration, carries on the intrinsic analysis to the Ninghao's director's work's humanity return course.This paper is divided into five chapters: in the first chapter, it summarizes the concept of the return of human nature, introduces the director's human affairs, generally describes the return of human nature in director Ning Hao's main film works, and analyzes the transformation of human nature in the movie "No Man's Land".Set the tone for the following; in the second, third, and fourth chapters, analyze the regression of human nature in "No Man's Land" from the aspects of character shaping, image style and picture characteristics, respectively; in chapter five,This paper probes into the localization of the return of human nature in Ninghao's film No Man's Land, analyzes the animality and sociality of human beings, and analyzes the realistic mapping of the tragic works of ancient Greece to the film "No Man's Land".Thus, the author constructs Ning Hao's attempt to break through the genre movies and the aesthetic system of his works full of humanity concern, hoping that he can sum up the contemporary Chinese films and provide some suggestions and references for the future development.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2015
【分类号】：J905

【参考文献】