纪录片“情景再现”中的表演元素

发布时间：2018-04-13 02:19

本文选题：纪录片 + 表演　；参考：《陕西师范大学》2013年硕士论文

【摘要】：纪录片是一种忠于真实的社会艺术,并以它独特的社会功能获得了观众的青睐,其认识世界揭示世界的功能尤为被社会看重,被称作是历史的镜子,社会的镜子。近年来,《中华文明》《故宫》《敦煌石窟》《大明宫》等众多历史题材的纪录片和《森里之歌》《大秦岭》自然类纪录片之所以专家的首肯和观众的喜爱,就充分反映了这一点。纪录片的创作伴随着的是对纪录片理论的研究,近年来对于纪录片情景再现的研究层出不穷,但是对于纪录片“情景再现”表演的研究却较少见。本文就是对纪录片创作手段中的表演元素进行探索。文章分为五个大部分：引言部分,对解读文章提供一个整体的思路。主要涉及论文选题的角度、研究内容、意义、研究方法以及想要达到或解决的问题等内容。第二章,对涉及概念的基础知识的介绍,包括纪录片的相关概念、情景再现的相关知识包括搬演与扮演。由于本文所论述的纪录片的表演元素,主要是针对搬演与扮演这两个方面,因此,在这一部分专门搬演与扮演作为一个小部分列出来进行分析。第三章和第四章是核心部分,占的篇幅是最重,论述纪录片中表演元素的使用情况,以及纪录片表演与电视剧表演的辨析。第三章通过具有代表性的影片阐述纪录片中使用表演的情况与现象,以及演员表演在纪录片创作中所发挥出来的作用。分别阐述了纪录片在搬演与扮演当中使用表演元素的情况以及在现场拍摄时使用表演的情况。搬演与扮演在历史题材的纪录片当中使用的比较多,所以笔者就以《北方的纳努克》《大明宫》《中华文明》这三部纪录片进行阐述。对纪录片拍摄过程中所存在的表演形式和情况以《幼儿园》这部现实题材的影片为例展开阐述。第四章首先介绍了纪录片中表演的特殊性,从展现方式、叙事内容和演员地位这三个方面进行对比,来阐述纪录片表演与影视剧表演的区别进行分析,为之后纪录片表演提供一个参照。本章还通过对《定军山》这部中国电影纪录片的开山之作进行介绍,阐述了中国纪录片与中国表演艺术以及中国民族文化的渊源,指出纪录片在文化传承方面能够发挥的作用和应该担负的责任。第五章,讲述了纪录片使用表演元素这一创作手段的发展现状、问题和表演在纪录片创作中发展的趋势和可能,也是笔者研究这一问题的目的及意义所在。从三个方面阐述了表演在纪录片中获得发展的必然性,一是历史题材使得搬演与扮演所使用的频率和比重不断增加；二是纪录片使用虚构手段使得纪录片叙事结构发生变化,使得纪录片使用表演的可能性增加；三是观众的收视诉求需要,观众对于纪录片的要求越来越高,具有亲和力和叙事力强的影片获得了观众的青睐。结语部分,是结论性的部分,是对本篇论文提出的问题以及论点的总结。
[Abstract]:Documentary film is a kind of true social art, and with its unique social function has won the favor of the audience, its understanding of the world to reveal the function of the world is particularly valued by society, is called a mirror of history, the mirror of society.In recent years, many documentaries on historical subjects such as The Imperial Palace, Dunhuang Grottoes, Daming Palace and the Song of the Mori, the natural documentary experts' approval and the audience's love fully reflect this point.The creation of documentary is accompanied by the study of documentary theory. In recent years, the research on documentary scene reappearance is endless, but the research on documentary "scene reappearance" performance is relatively rare.This article is to explore the performing elements of documentary creation.The article is divided into five parts:The introduction part provides a whole train of thought for the interpretation of the article.It mainly involves the angle, research content, significance, research methods and problems to be achieved or solved.The second chapter introduces the basic knowledge of the concept, including documentary related concepts, scene reproduction related knowledge including acting and acting.Because the performance elements of documentary discussed in this paper are mainly aimed at the two aspects of acting and acting, this part is devoted to acting and acting as a small part of the analysis.The third and fourth chapters are the core part, which is the most important part. It discusses the use of the performance elements in the documentary film, as well as the discrimination between the documentary performance and the TV drama performance.The third chapter explains the situation and phenomenon of using performance in documentary film through representative film, and the role of actor performance in documentary creation.This paper expounds the use of performance elements in documentary film performance and the use of performance in live shooting.There are many historical documentaries, so the author elaborates on the three documentaries: Nanook in the North, Daming Palace and Chinese Civilization.In the process of documentary shooting, the performance forms and situations are illustrated by the example of "Kindergarten", a realistic film.The fourth chapter first introduces the particularity of the performance in the documentary film, from the display way, the narrative content and the actor status three aspects carries on the contrast, elaborated the documentary performance and the movie and television drama performance difference to carry on the analysis.Provide a reference for later documentary performances.This chapter also introduces the opening work of Dingjun Mountain, a Chinese film documentary, and expounds the origin of Chinese documentary film, Chinese performing arts and Chinese national culture.It points out the role and responsibility of documentary film in cultural transmission.In the fifth chapter, the author describes the present situation, problems and the development trend and possibility of documentary film creation, which is also the purpose and significance of the author's research on this issue.This paper expounds the inevitability of the development of the performance in the documentary from three aspects, one is that the historical theme makes the frequency and proportion of the moving and acting increasing, the other is that the documentary uses fictional means to change the narrative structure of the documentary.Make documentary use of the possibility of increased performance; third, audience demand for the audience, the audience for the documentary more and more demanding, with affinity and narrative power of the film has won the favor of the audience.The conclusion part, is the conclusion part, is the summary of the questions and arguments raised in this paper.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J952

【参考文献】