《疯狂动物城》:乌托邦遗产与重启

发布时间：2018-04-23 23:16

本文选题：《疯狂动物城》 + 乌托邦遗产　；参考：《探索与争鸣》2016年06期

【摘要】：迪士尼动画大片《疯狂动物城》于《乌托邦》发表500周年之际,在全球范围内热映并引发对于乌托邦的讨论,可视为巴迪欧意义上的事件哲学。影片命名的不同选择显示了乌托邦价值立场的鲜明分歧。《疯狂动物城》在乌托邦叙事上自觉地尝试艺术选择与突破,把个体成长乌托邦与社会乌托邦交织叙事,构成复合的乌托邦审美与风格,但根本上的缺陷是仍然把乌托邦标签化,有反乌托邦的危险。今天重谈乌托邦的使命就是要超越乌托邦遗产,从新现实中获得新的思想资源和精神动力,用新的乌托邦思想和信念来烛照人类向未来出发。唯有如此,人类重启乌托邦的伟大史诗叙事不仅可能,而且必然。
[Abstract]:On the occasion of the 500th anniversary of Utopia, the Disney animated blockbuster "Crazy Animal City" has become a global phenomenon and triggered a discussion of Utopia, which can be regarded as the philosophy of events in the sense of Badio. The different choice of the film's naming shows the distinct difference of the utopian value standpoint. "Mad Animal City" consciously tries the artistic choice and the breakthrough in the utopian narrative, interweaves the individual growth utopia and the social utopia narration. The composition of Utopian aesthetics and style, but the fundamental defect is still label Utopia, there is a risk of dystopia. Today, the mission of Utopia is to transcend the Utopian heritage, obtain new ideological resources and spiritual power from the new reality, and use new Utopian thoughts and beliefs to illuminate the future of mankind. Only in this way, it is not only possible, but also inevitable, for mankind to restart the utopian epic narrative.
【作者单位】：上海政法学院文学与传媒学院暨纪录片学院;
【基金】：国家社科基金项目“现代性视野下的小说类型学研究”(15BWZ019)
【分类号】：J954

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