底层视角的文化呈现——我国独立纪录片中的游民影像

发布时间：2018-05-08 12:01

本文选题：创作行为 + 拍摄方式　；参考：《青年记者》2017年09期

【摘要】：正我国的独立纪录片往往从个人立场和底层视角出发,以一种对主流意识形态补充或校正的姿态打破了过去传统专题片的独白、说教模式,将镜头对准了被社会所忽视的边缘人物身上。其所标榜的独立,不仅是创作行为的独立,更是一种精神和立场的独立。(1)在我国独立纪录片的拍摄对象中,有一种被称作"游民"的群体,他们无固定工作和居所,并随着时势浮沉游荡,其中一些人具有反社会的性质。在底层语境下,游民影像的创作意图、拍摄方式作为一种文化客观存在于人类社会中,等待被阐释和思考。
[Abstract]:Independent documentaries in China often break the monologue and preaching mode of traditional feature films in a way that supplements or corrects the mainstream ideology from a personal standpoint and a bottom-level perspective. The camera is aimed at the marginal figures who are neglected by the society. The independence it boasts is not only the independence of its creative behavior, but also the independence of its spirit and position. Among the subjects of independent documentaries in China, there is a group known as "Traveller", who do not have a fixed job or residence. And as the times wandered, some of them were anti-social. In the context of the bottom, the creative intention and shooting mode of Traveller images, as a kind of culture, exist objectively in human society, waiting to be explained and pondered.
【作者单位】：暨南大学新闻与传播学院;
【分类号】：J952

【相似文献】