张婉婷电影中的女性形象研究

发布时间：2018-05-08 15:00

本文选题：张婉婷 + 女性形象　；参考：《四川师范大学》2017年硕士论文

【摘要】：张婉婷是华语电影界杰出的女性导演,从影近三十年来,拍摄了十余部作品,其电影多次荣获国内外电影奖项,受到业界和观众的一致好评。张婉婷作为一位女性导演,以其特有的女性视角关注着女性的命运,以细腻的创作手法讲述着女性的故事。因此,以女性形象分析为入口研究张婉婷的电影,对影视艺术创作,艺术文化研究,社会学研究都具有一定的意义。本研究从形象分析、叙事视角、视听语言和文化解读四个角度入手,试图对张婉婷电影女性形象特征、塑造手法和文化背景进行阐释和总结。本文分为四个部分,第一部分介绍本文的研究意义、研究现状以及张婉婷电影的创作概况。第二部分“张婉婷电影中女性形象的特征”,通过对女性形象的身体外貌特征、身份特征、人物关系等方面的分析,揭示出张婉婷电影中的女性形象呈现青春化、个体独立、爱情至上、乐观坚强等特征,她们是一群女性意识逐渐苏醒的女性,正是这些特征使得张婉婷塑造的女性形象更加鲜活和贴近生活。第三部分“女性形象的塑造手法”,在挖掘出张婉婷电影在以女性视角展开电影的叙事策略的基础之上,结合独特的镜像语言,半记录式空间环境塑造,中近景特写、长镜头和慢镜头的使用、光影色调的烘托以及音乐的渲染来进行形象塑造。第四部分“女性形象塑造的文化背景”,以张婉婷个人的双重身份入手,透过张婉婷的成长环境和教育背景,挖掘出张婉婷与影片中女性形象气质特征的内在一致性。最后从文化背景出发,结合导演对时代的自我表达,探讨香港文化特征、女性主义视角与女性形象塑造之间的内在联系性。本文以美学、影视批评学和女性主义相关理论为基础,对电影文本进行内容分析和符号学分析。揭示出张婉婷电影中的女性形象不同于主流社会中的女性,给人一种难以琢磨的神秘感和奋勇向前的无畏感。这些女性形象大都来自张婉婷现实生活的写照,也有文学作品与现实生活的融合。正是基于此种特殊性,使得张婉婷电影中的女性形象具有极强的感染性和启发性,但同时也局限了张婉婷电影女性形象的多元化和大众化发展。
[Abstract]:Zhang Wanting is an outstanding female director in the Chinese film industry. In the past three decades, she has made more than a dozen films. Her films have won many awards at home and abroad, and have been well received by both the industry and the audience. As a female director, Zhang Wanting focuses on the fate of women with her unique female perspective and tells the story of women with exquisite creative techniques. Therefore, the study of Zhang Wanting's films based on the analysis of female images is of significance to the study of film and television art, art and culture, and sociology. From four angles of image analysis, narrative perspective, audiovisual language and cultural interpretation, this study attempts to explain and summarize Zhang Wanting's film female image characteristics, molding techniques and cultural background. This paper is divided into four parts. The first part introduces the significance of the research, the status quo of the research and the creation of Zhang Wanting's films. The second part, "the characteristics of female image in Zhang Wanting's film", through the analysis of the body appearance characteristic, identity characteristic, character relation of female image, reveals that the female image in Zhang Wanting's film presents youth and individual independence. They are a group of women whose consciousness has gradually awakened. It is these characteristics that make Zhang Wanting's female image more vivid and close to life. The third part, "the method of shaping female image", on the basis of digging out the narrative strategy of Zhang Wanting's film from a female perspective, combining the unique mirror language, the creation of semi-recording space environment, and the close-in feature. The use of long-shot and slow-motion shots, the contrast of light and shadow tones and the rendering of music to shape the image. The fourth part, "the cultural background of female image shaping", starts with Zhang Wanting's personal dual identity, through Zhang's growing environment and educational background, excavates the inherent consistency between Zhang Wanting and the female image temperament characteristic in the film. Finally, from the cultural background, combined with the director's self-expression of the times, this paper probes into the inherent relationship between the cultural characteristics of Hong Kong, the feminist perspective and the shaping of the female image. Based on the theories of aesthetics, film criticism and feminism, this paper analyzes the content and semiotics of film texts. It reveals that the female images in Zhang Wanting's films are different from the women in the mainstream society and give people a mysterious and fearless sense of courage. Most of these female images come from the portrayal of Zhang Wanting's real life, but also from the fusion of literary works and real life. It is precisely because of this particularity that the female images in Zhang Wanting's films are highly infectious and enlightening, but at the same time they also limit the diversified and popular development of the female images in Zhang Wanting's films.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J911

【参考文献】