灾难片的审美诉求

发布时间：2018-05-26 19:54

本文选题：灾难片 + 审美意识　；参考：《四川师范大学》2013年硕士论文

【摘要】：近年来,灾难片作为一种电影类型正在迅速发展,使得人们对灾难片的关注程度也不断增加。很多专业学者对灾难片的评价不再仅局限于影片自身的内容形式和电影技术,而是从审美意义、现实意义以及艺术价值等深层的理论上对灾难片进行剖析。本文通过四部分进行阐述：第一章对灾难片进行了明确的界定和分类。然后对灾难片的发展情况进行梳理,详细阐述了灾难片从只表现单纯的灾难情形的无声默片到现今运用数字化等先进技术显现出来的令人身临其境的震撼效果和深厚的人文意义的现代电影的历程。此章还对灾难片的文化意蕴进行详细描写。通过灾难片的寓意及目的总结出其历史意义和文化价值。第二章主要针对灾难片的美感类型进行分析,其审美价值很高。不仅分析了包括毁灭感、恐惧感、人情美、崇高感等感受,还发现了渗透其中的黑色幽默,不仅使观众享受视听大宴,而且让观众思考未来。第三章深入到灾难片的创作技术美,主要从数字化“仿真”场景、两级化跳跃衔接的景别、光线色彩的巧妙搭配烘托气氛及震撼的视听效果四个方面入手,探索其独特的结构模式,分析灾难片引发心理共鸣的原因。第四章强调了灾难片的受众审美体验,分别从追求自我价值的体验、人文关怀及人与自然三方面进行阐述。灾难片告诉人们要对自己有客观的认识,不断自省,尊重他人和理解他人,保护自然环境,压缩人类欲望,适度消费,以及合理发展科学技术。并结合《唐山大地震》、《2012》、《后天》等几部代表性的电影作品表达出灾难片中视觉影像、艺术价值、人文精神的审美诉求。在一定程度上,人们在灾难片的视觉刺激下也引发了对自身生存环境以及人文价值的思考,就使得灾难片具有独特的审美诉求和美学意蕴。
[Abstract]:In recent years, disaster film as a kind of film is developing rapidly, which makes people pay more attention to disaster film. The evaluation of disaster film by many professional scholars is no longer limited to the content form and film technology of the film itself, but also analyzes the disaster film from the deep theory of aesthetic significance, realistic significance and artistic value. This article through four parts to elaborate: the first chapter to disaster film has carried on the clear definition and the classification. And then sort out the development of disaster films, This paper expounds in detail the course of disaster film from silent film which only shows pure disaster situation to modern film with deep humanistic significance and shocking effect of using advanced technology such as digitization. This chapter also describes the cultural implications of disaster films in detail. The historical significance and cultural value of disaster film are summarized through its moral and purpose. The second chapter mainly analyzes the aesthetic type of disaster film, and its aesthetic value is very high. It not only analyzes the feelings of destruction, fear, beauty, sublime and so on, but also finds the black humor that permeates it, which not only makes the audience enjoy the audiovisual feast, but also makes the audience think about the future. The third chapter goes deep into the creation technology beauty of disaster film, mainly from four aspects: digital "simulation" scene, the scene of two levels jumping and joining, the skillful match of light and color to the atmosphere and the shocking audiovisual effect. Explore its unique structural model and analyze the causes of psychological resonance caused by disaster film. The fourth chapter emphasizes the aesthetic experience of the disaster film audience, respectively from the pursuit of self-worth experience, humanistic care and human and nature three aspects. Disaster movies tell people to have an objective understanding of themselves, constantly introspection, respect others and understand others, protect the natural environment, reduce human desire, moderate consumption, and reasonable development of science and technology. Combined with "Tangshan earthquake", < 2012 >, "the day after tomorrow" and other representative film works to express the disaster film visual image, artistic value, humanistic spirit of aesthetic appeal. To some extent, under the visual stimulation of disaster film, people also lead to the thinking of their own living environment and humanistic value, which makes disaster film have a unique aesthetic appeal and aesthetic implication.
【学位授予单位】：四川师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

【参考文献】