陈英雄电影的色彩艺术研究

发布时间：2018-05-26 20:09

本文选题：陈英雄电影 + 色彩语言　；参考：《河北大学》2013年硕士论文

【摘要】：色彩是电影视觉元素之一，除了具有再现功能外，还具有塑造人物形象、表达内心情感和创造意境等作用。电影工作者将自己的创作意图通过对客观色彩进行主观概括，将作品在真实与虚幻之间切换，丰富了电影的表现力，并使其艺术性得以体现。色彩在表现人物内心情感的同时，还能够激发观众相应的心理感受，产生情感共鸣，从而达到深刻领会作品思想内涵的目的。色彩的运用也是创作者内心情感和人文精神的体现，并已成为一种具有精神内涵的文化符号。而导演也在这一系列的创造性劳动中形成了自己作品的影片风格。陈英雄的电影作品具有强烈的色彩思维，，他通过色彩建构空间表达自己的情感，并通过色彩语言对人物的内心活动进行了深入细致的描写，营造出一种理想与现实相结合的视觉空间。由于其所受的西方教育背景，与其自身东方传统文化思想观念产生了矛盾冲突，而这种碰撞形成了巨大的创作空间。陈英雄在这种矛盾冲突中，通过影像将东方文化的美感展现给了观众，他的创作采用东方理念与西方电影技术相结合的手法，因此其作品具有表现事物的独特思维和视角，并且在电影创作中找到了平衡点。其所创作的电影无论在主题与形式上，都融入了东方民族的文化元素。在东西方理念碰撞的同时表达出对现实的批判精神。他从世界的角度审视故乡的苦难，通过作品抒发自己内心的情感，以电影人的方式用影像画面展现人性善恶和表达自己的思想。他通过色彩语言，使其作品创造出一种具有东方文化的沉静内敛和从容敦厚的氛围，使之成为了当代电影导演运用色彩语言叙事表意的经典之作。因此通过对陈英雄的电影色彩语言的研究，对于提高电影艺术鉴赏力非常有意义。本文力图从陈英雄电影作品的色彩主观性、文化性、地域性和格式塔心理学等方面对其色彩语言艺术风格进行全面分析，并从东西方电影色彩观念的对比中，寻找其作品产生影响力的原因，为国产影片的发展提供借鉴，为加快文化发展，提高我国文化软实力尽一份力。
[Abstract]:Color is one of the visual elements of the film, which not only has the function of reproduction, but also has the functions of shaping the character image, expressing the inner emotion and creating the artistic conception. Through subjective generalization of objective color, film workers change their creative intention between reality and illusion, which enriches the expressive power of the film and embodies its artistry. Color can also arouse the audience's corresponding psychological feelings and produce emotional resonance, so as to get a deep understanding of the ideological connotation of the works. The use of color is also the embodiment of the creator's inner emotion and humanistic spirit, and has become a cultural symbol with spiritual connotation. In this series of creative work, the director also formed his own film style. Chen Xiong's film works have a strong color thinking, he expresses his feelings through color construction space, and through color language to describe the inner activities of the characters in depth and meticulous. Create a visual space that combines ideal and reality. Because of its western educational background, it conflicts with its traditional cultural ideas of the East, and this kind of collision forms a huge creative space. In this contradiction and conflict, the aesthetic sense of oriental culture is shown to the audience through images. His creation adopts the combination of oriental idea and western film technology, so his works have the unique thinking and visual angle of expressing things. And found the balance in the film creation. His films, both in theme and form, incorporate the cultural elements of the oriental nation. At the same time, it expresses the critical spirit of reality. From the perspective of the world, he examines the sufferings of his hometown, expresses his inner feelings through his works, and expresses his thoughts by the way of the filmmakers. Through the color language, he made his works create a quiet, introverted and relaxed atmosphere with oriental culture, making it a classic for contemporary film directors to use color language to narrate ideas. Therefore, it is of great significance to improve the appreciation of film art through the study of Chen Xiong's film color language. This paper tries to analyze the artistic style of color language from the aspects of color subjectivity, culture, region and Gestalt psychology of Chen Xiong's film works. To find out the causes of the influence of his works, to provide reference for the development of domestic films, to speed up the development of culture, and to improve the soft power of Chinese culture.
【学位授予单位】：河北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J911

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