大后方纪实性故事片发生机制研究

发布时间：2018-05-28 01:24

本文选题：大后方 + 纪实性故事片　；参考：《西南大学》2013年硕士论文

【摘要】：大后方电影纪实性故事片,作为抗战时期官营电影体下的主流形态电影,在发生机制的表述上一直没有一个从生成语境到创作特征的总体归纳和梳理。本文搜集和整理了当下已有的历史文献,沿用文本研究、文化研究、历史研究的方法,力图呈现大后方纪实性故事片从源起到成型的发生机制,系统阐述其发生背景,历史契机与创作的内在联系,完整展现其美学风格的流变倾向,进而揭示出纪实性故事片对抗战胜利后到来的中国电影高峰期的电影创作的历史影响。第一章：“作为区域性电影现象的大后方纪实性故事片”主要阐释了大后方纪实性故事片的概念来源和与传统故事片的区别,并且从宏观上分析了其所产生的特殊历史语境。第二章：“纪实性故事片的发生沿革与职责”主要从文本的角度分析了大后方纪实性故事片从内到外的相互勾连,全面的阐释了其完整的发生机制和美学成就。第三章：“纪实性故事片发生的微观语境及影响”主要探讨了大后方纪实性故事片同纪录片的关系以及其所肩负的宣传和教育的职能。第四章：“纪实性故事片在民国时期故事片历史进程中的特殊作用”注目于大后方纪实性故事片的开拓之功,总结其承前启后的历史作用。第五章：“结语”强调大后方纪实性故事片在中国电影纪实美学的发展历程中的重要意义。
[Abstract]:As the mainstream form of official films in the period of Anti-Japanese War, there has been no overall induction and combing from the context of generation to the characteristics of creation in the expression of the mechanism of occurrence. This paper collects and arranges the existing historical documents, using the methods of text study, cultural study and historical research, tries to present the mechanism of the documentary feature film in the rear area from the source to the shaping, and systematically expounds the background of its occurrence. The internal relation between the historical opportunity and the creation shows the changing tendency of its aesthetic style, and then reveals the historical influence of the documentary feature film on the film creation in the peak period of Chinese film after the victory of the War of Resistance against Japan. Chapter one: "the rearward documentary feature film as a regional film phenomenon" mainly explains the concept source of the rear-area documentary feature film and the difference between it and the traditional feature film, and analyses its special historical context from the macroscopic view. Chapter two: "the history and responsibility of documentary feature film" mainly analyzes the internal and external connection of the rear-area documentary feature film from the perspective of the text, and comprehensively explains its complete occurrence mechanism and aesthetic achievements. Chapter three: "the microcosmic context and influence of documentary feature Film" mainly discusses the relationship between the documentary film and its propaganda and education functions. Chapter four: "the special role of documentary feature film in the historical process of the Republic of China" focuses on the pioneering work of the documentary feature film in the rear area, and summarizes its historical role in connecting the past with the future. Chapter five: the conclusion emphasizes the significance of the documentary feature film in the development of Chinese film documentary aesthetics.
【学位授予单位】：西南大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J951.1

【参考文献】