大众文化语境下的中国穿越剧

发布时间：2018-05-28 02:28

本文选题：大众文化 + 中国穿越剧　；参考：《山东师范大学》2014年硕士论文

【摘要】：自20世纪90年代起，大众文化以一种势不可挡的姿态迅速占领了市场，大众文化的发展深刻影响了人们的日常生活习惯和文化审美观念，，一种新的文化格局逐渐形成。与此同时，影视剧在大众文化的影响之下，逐渐摆脱了以“教育为主”的功用，开始朝着娱乐化、商品化、世俗化的方向发展。90年代末新世纪初，《戏说乾隆》、《宰相刘罗锅》、《还珠格格》、神话剧《春光灿烂猪八戒》、情景喜剧《武林外传》等戏说剧的出现直接颠覆了人们对传统电视剧的审美期待。随着大众文化的迅速发展，一种新的电视剧样式——穿越剧在经过几年摸爬滚打的探索期之后，在2011年如大潮一般地席卷了影视剧的市场，开始在电视剧大家庭中占据了极为重要的一席之地。本文旨在探究中国穿越剧在大众文化语境下呈现出的种种特点，并探索穿越剧的出现以及在近年来的热播所呈现的现实价值，最后指出中国穿越剧的发展困境并对其作出展望。另外要说明的是，本文所指涉的中国穿越剧，包含中国大陆穿越剧，以及部分港台穿越剧，但以大陆穿越剧为主。本论文分为三个部分，第一部分为绪论，首先简单阐述中国穿越剧在我国的发展状况，其次对目前学术界在中国穿越剧问题上的研究现状做出综述；最后指出文章的价值意义所在。第二部分为本文的正文部分，分为四章。第一章，大众文化语境下中国穿越剧的兴起与发展。第一节，中国穿越剧的兴起，主要阐述中国穿越剧兴起的文化语境，并为“中国式穿越剧”做出界定；第二节，中国穿越剧的发展概貌，对近二十年中国穿越剧的发展历程做一个详细的梳理。第二章，大众文化语境下中国穿越剧的特征分析，分为三节。第一节着力探讨中国穿越剧的叙事策略，主要从情节、人物、时空、类型元素四个方面展开论述；第二节阐述中国穿越剧的影像风格，从穿越剧的喜剧元素、明星策略以及数字媒体技术的运用三方面进行分析。第三章，大众文化语境下中国穿越剧的价值探析，主要从娱乐价值和商业价值两方面展开论述。第四章，大众文化语境下中国穿越剧发展的困境及展望。第一节，中国穿越剧之“伤”，主要从中国穿越剧的文化内涵及艺术形式两方面来论述；第二节，中国穿越剧发展之展望，指出中国穿越剧的发展应朝向三个方面，一是创作者大开思维之门，拓宽穿越剧的题材，突破旧有的剧情模式，挖掘出新的亮点；二是作品创作需权衡历史真实与艺术虚构之间的平衡关系，为展现中国传统历史文化做出努力；三是作品要有一定的主题内涵，体现一种正确的价值观。纵观中国穿越剧的发展历程，不难发现，中国穿越剧在近年来的井喷式发展，是大众文化的影响力呈现在电视剧领域一个的力证。但是中国穿越剧在获得高收视率的同时，其本身暴露出的问题也显而易见，中国穿越剧必须在作品质量上下足功夫，克服自身弊端，做精、做好，不仅好看，还有正面的价值意义，才能作为一种新的电视剧样式获得长远的发展。
[Abstract]:Since 1990s, mass culture has occupied the market rapidly in an unstoppable manner. The development of mass culture has deeply affected people's daily habits and cultural aesthetic concepts. A new cultural pattern has gradually formed. At the same time, the film and TV play has gradually removed from "education based" under the influence of mass culture. At the end of the new century at the end of the.90 era, the function of the entertainment, the commercialization and the secularization began to develop in the new century at the end of the new century. The appearance of the dramas, such as "the Emperor Qianlong", "Liu Luoguo", "Zhu GG", the mythological drama, "the eight ring of the spring, the eight ring of the bright and brilliant", the sitcom "Wulin" and so on, directly subverted the aesthetic expectations of the traditional TV dramas. Fast development, a new style of TV drama - after a few years of exploring and rolling through the drama, in 2011, it generally swept the market of movie and TV drama, and began to occupy a very important place in the TV drama family in 2011. Point, and explore the appearance of Yue Opera and the realistic value of the hot broadcast in recent years. Finally, it points out the development predicament and Prospect of the Chinese opera in Vietnam. In addition, it should be explained that the Chinese wear drama involved in this article, including the Chinese mainland in Yue opera, and the part of Hong Kong and Taiwan through Yue opera, is mainly on the mainland.
This paper is divided into three parts. The first part is the introduction. First, it briefly expounds the development of Chinese traversing drama in China, and then summarizes the current status of the study on the issue of Yue Opera in China. Finally, it points out the significance of the article.
The second part is the body part of this article, which is divided into four chapters. Chapter 1, the rise and development of China's Cross opera in the context of mass culture. The first section, the rise of China's Cross drama, mainly expounds the cultural context of the rise of Chinese traverses, and defines the "Chinese style Yue Opera"; the second section, the outline of the development of China's Vietnam drama, to nearly twenty In the second chapter, the analysis of the characteristics of the Chinese opera in the mass cultural context is divided into three sections. The first section focuses on the narrative strategies of the Chinese opera, mainly from four aspects of the plot, the characters, the time and space and the type elements; and the second section describes the image style of the Chinese opera. From three aspects of the comedy elements, the star strategy and the application of the digital media technology. The third chapter, the value analysis of the Chinese opera in the popular culture context, mainly from two aspects of the entertainment value and the commercial value. Fourth chapter, the predicament and Prospect of the development of China's Vietnam Opera in the context of mass culture. The "injury" of China's Yue Opera is mainly discussed from two aspects of the cultural connotation and artistic form of China's Cross opera; the second section, the prospect of the development of China's Yue opera, points out that the development of the Chinese opera should be directed towards three aspects, one is the creator's door of thinking, the widening of the theme of the Yueju Opera, the breakthrough of the old plot pattern, and a new excavation The two is that the creation of the works should balance the balance between the historical truth and the art fiction, and make efforts to show the traditional Chinese history and culture; the three is that the works should have a certain theme and reflect the correct values.
It is not difficult to find out that the development of Chinese opera in recent years, the development of blowout in recent years, is the strength of the popular culture in the field of TV drama. However, while Chinese traversing plays are gaining high ratings, the problems that they expose are also obvious. We should overcome our shortcomings, do well and do well, not only good-looking, but also have positive value significance, so that we can get a long-term development as a new TV play style.
【学位授予单位】：山东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J905

【参考文献】