匠心:时空中的历史记忆——电影《百鸟朝凤》观后

发布时间：2018-06-13 07:15

本文选题：百鸟朝凤 + 国产电影　；参考：《人民司法(天平)》2016年18期

【摘要】：正秦岭峻险,渭水苍茫,中国第四代导演的灵魂人物吴天明的遗作《百鸟朝凤》在国产电影保护月的前一个月横空出世了。然而面对大师遗作不知是喜是悲。观众一边看到业内大腕精诚团结为之站台呐喊,一边又看到票房惨淡需发行方跪地求排片;不知是国产电影意欲表达的方式方法在时空交融下被新世纪的文化所抛弃,还是中国的匠人精神在历史时空中已被现代文明异化成久远的记忆。电影《百鸟朝凤》中的主
[Abstract]:The fourth generation of Chinese director's soul character Wu Tianming's work "Birds, Chaofeng" was born a month before the domestic film protection month. However, in the face of master works I do not know is happy or sad. While the audience saw that the industry's big names were United as the platform cry, on the other hand, they saw that the poor box office required the issuers to kneel down and arrange films. I do not know that the ways and means to express the wishes of domestic films were abandoned by the culture of the new century under the mixture of time and space. The spirit of Chinese craftsmen has been alienated by modern civilization in historical time and space into a long memory. The Master in the Film "Birds at the Phoenix"
【作者单位】：湖北省武汉市青山区人民法院;
【分类号】：J951

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