鄂伦春族纪录片中他者的建构

发布时间：2018-06-13 07:24

本文选题：纪录片 + 鄂伦春族　；参考：《华东师范大学》2014年硕士论文

【摘要】：鄂伦春族是中国人口最少的几个少数民族之一,也是中国最后的游猎民族之一。少数民族的传统文化作为国家的文化财富一直受到政府的重视,在新中国刚刚成立的艰难时刻,抢救现代化进程中即将消逝的民族文化便提上议程。“一个国家的纪录片就好像是一个家庭的相册。”纪录片对时代的记录和保存群体记忆的功能以及人为操控的可能性,使之无论在塑造国家形象还是表达个体意识层面上,都能成为很好的载体。鄂伦春族在影像中,始终是以他者的身份存在,而这种他者形象的建构,又受到不同的社会文化思潮的影响。本文选取中央电视台播出的鄂伦春族纪录片作为文本,通过研究影响作者自我遮蔽的原因和方法,分析鄂伦春族影像中的他者形象是如何被建构的。
[Abstract]:The Oroqian is one of the smallest ethnic minorities in China and one of the last hunting nations in China. The traditional culture of ethnic minorities as the cultural wealth of the country has been attached importance to by the government, in the new China has just been established in the difficult time, the rescue of the modernization process is about to disappear in the national culture on the agenda. "A national documentary is like a family album." Documentaries record the times, preserve the function of group memory and the possibility of artificial manipulation, so that it can become a good carrier in shaping national image or expressing individual consciousness. In the image, the Oroqian always exists as the other, and the construction of the image of the other is influenced by different social and cultural thoughts. This paper selects the Oroqian documentary broadcast by China Central Television as the text, analyzes how the other image in the images of the Oroqian people is constructed by studying the reasons and methods that influence the author's self-shielding.
【学位授予单位】：华东师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J952

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