社会疏离中的精神皈依之旅—国产公路电影的本土化表达研究
发布时间：2018-09-12 15:29
【摘要】：在新世纪近二十年的发展中,国产公路电影既充分吸收借鉴了好莱坞公路电影的叙事模式,又对这一电影类型进行了本土化探索。国产公路电影在叙事主题的多元化、角色设置的差异性、影像空间的在地性及叙述视角的平民化等方面形成了本土化特征,而这些特点构成了国产公路电影独特的精神内核和美学特质,并彰显了影视作品对当下中国现实的人文关怀,体现了公路电影与当下中国在历史时空中的互动。本文主要从以下五个部分探析国产公路电影的本土化过程:绪论部分综述了公路电影的研究现状,并对文章中所指称的公路电影作出概念性界定;第一章在宏观层面对好莱坞公路电影和国产公路电影的发展进行梳理,初步总结出公路电影的类型特征与风格特色并指出本论题的研究价值;第二章通过对比分析好莱坞和国产公路电影在主题选择、角色设置等方面的异同,探求国产公路电影在主题意蕴上的本土化特征;第三章在公路电影的流动性影像空间中审视当下中国的物理空间和精神空间,进而分析国产公路电影在空间表达上的本土化特质;第四章立足于影片的主题表达和镜语空间,探究国产公路电影的纪实风格与写意特色,分析国产公路电影内蕴的美学精神;第五章从国产公路电影对现代性社会精神的揭示、对民族性空间镜像的映现和对边缘性人物群像的描绘三个方面,总结公路电影在中国大陆发展过程中所特有的本土化特征。
[Abstract]:In the development of recent twenty years in the new century, the domestic highway film not only absorbed the narrative mode of Hollywood highway film, but also explored the localization of this film type. In the aspects of the diversification of narrative theme, the difference of role setting, the localization of image space and the populace of narrative angle of view, the domestic highway film has formed the localization characteristic. These characteristics constitute the unique spiritual core and aesthetic characteristics of the domestic highway film, and show the humanistic concern of the film and television works to the present Chinese reality, and reflect the interaction between the highway film and the present China in the historical time and space. This article mainly analyzes the localization process of the domestic highway movie from the following five parts: the introduction part summarizes the highway movie research present situation, and makes the conceptual definition to the highway movie referred to in the article; The first chapter combs the development of Hollywood highway film and domestic highway film at the macro level, summarizes the type characteristics and style characteristics of highway film and points out the research value of this thesis. The second chapter analyzes the similarities and differences between Hollywood and domestic highway movies in theme selection, role setting and so on, and explores the localization characteristics of domestic highway movies in theme implication. The third chapter examines the physical and spiritual space of China in the mobile image space of highway film, and then analyzes the localization of the spatial expression of the domestic highway film, the fourth chapter is based on the theme of the film and mirror language space. This paper probes into the documentary style and freehand brushwork characteristics of the domestic highway movies, analyzes the aesthetic spirit of the domestic highway movies. Chapter five reveals the modern social spirit from the domestic highway movies. This paper summarizes the localization characteristics of highway movies in the development process of mainland China from three aspects: the reflection of the national space mirror image and the description of the group images of the marginal characters.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
[Abstract]:In the development of recent twenty years in the new century, the domestic highway film not only absorbed the narrative mode of Hollywood highway film, but also explored the localization of this film type. In the aspects of the diversification of narrative theme, the difference of role setting, the localization of image space and the populace of narrative angle of view, the domestic highway film has formed the localization characteristic. These characteristics constitute the unique spiritual core and aesthetic characteristics of the domestic highway film, and show the humanistic concern of the film and television works to the present Chinese reality, and reflect the interaction between the highway film and the present China in the historical time and space. This article mainly analyzes the localization process of the domestic highway movie from the following five parts: the introduction part summarizes the highway movie research present situation, and makes the conceptual definition to the highway movie referred to in the article; The first chapter combs the development of Hollywood highway film and domestic highway film at the macro level, summarizes the type characteristics and style characteristics of highway film and points out the research value of this thesis. The second chapter analyzes the similarities and differences between Hollywood and domestic highway movies in theme selection, role setting and so on, and explores the localization characteristics of domestic highway movies in theme implication. The third chapter examines the physical and spiritual space of China in the mobile image space of highway film, and then analyzes the localization of the spatial expression of the domestic highway film, the fourth chapter is based on the theme of the film and mirror language space. This paper probes into the documentary style and freehand brushwork characteristics of the domestic highway movies, analyzes the aesthetic spirit of the domestic highway movies. Chapter five reveals the modern social spirit from the domestic highway movies. This paper summarizes the localization characteristics of highway movies in the development process of mainland China from three aspects: the reflection of the national space mirror image and the description of the group images of the marginal characters.
【学位授予单位】：曲阜师范大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
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