彭辉纪录片研究
[Abstract]:The outstanding documentary director with outstanding achievements is worthy of our attention and study. Peng Hui, the research subject of this paper, is one of the representatives of these outstanding documentary directors. Peng Hui's documentary works have won many awards at home and abroad, which has attracted the attention of researchers. Such a rich personality documentary creator, worthy of attention, his documentary work is worth studying. Peng Hui believes that Chinese documentaries need to show their individuality, which is also a very important idea in Peng Hui's documentaries, which has always been throughout Peng Hui's works. Whether from the topic, shooting techniques, or theme expression, Peng Hui has incorporated his own personalized understanding of the documentary. This thesis is divided into the following structure: the first chapter summarizes Peng Hui and his documentaries and expounds the background of his creation. The second chapter analyzes Peng Hui's concept of stylized recording. On the basis of expounding Peng Hui's creative course, the author begins to study Peng Hui's documentary selection, sums up his stylized theme of digging into the artistic conception of life, and sums up his creation complex from Peng Hui's individualized topic. The aesthetic pursuit of his respect for life and survival is excavated from the angle of Peng Hui's selected topic, and the way of his creation in which Peng Hui is a director, editor, writer, cameraman, and so on is summarized. The third chapter analyzes the artistic expression of Peng Hui documentary film. Combined with the classical scenes in Peng Hui's works, the artistic expression techniques of Peng Hui are deeply analyzed from the two aspects of realistic brushwork and deep picture composition, and the poetic picture modeling of Peng Hui documentary is expounded. Combined with the symbolic empty lens and the symbolic telephoto lens in the works, this paper analyzes the symbolism of the lens in Peng Hui's works from three aspects, in order to explore the symbolic lens language of Peng Hui's documentary. The fourth chapter analyzes the narrative characteristics of Peng Hui documentary from three aspects: multi-dimensional narrative tendency, complete narrative time and space, restricted narrative perspective, and detailed narration. Long-shot reappearance time-space, the narrative of audio language cut into three aspects of Peng Hui documentary narrative strategy. The fifth chapter analyzes Penghui documentary character image molding techniques from details to highlight the character analysis documentary details in the character image play an important role in the description of the character image of the long lens. The sixth chapter analyzes Peng Hui documentary's humanistic care and social significance in combination with Peng Hui's selected topics, creative ideas, creative techniques, comprehensive analysis of the theme of specific works, summary, and find its internal links. The deep people analyze and probe into the existence theme of Peng Hui's works, and their deep concern for the indomitable survival crowd in the adversity, and expound his grasp of the life theme and respect for the survival. This summarizes Peng Hui's strong sense of humanistic care, and finally expounds the profound social significance of Peng Hui's works with the artistic achievements of his works. Chapter seven summarizes the full text, expounds the deficiency of this article, and looks forward to the achievements of Peng Hui documentary.
【学位授予单位】:山东师范大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J952
【参考文献】
相关期刊论文 前10条
1 陈勇志;王启东;;纪录片故事化的过程性及其意义的隐性建构[J];保山师专学报;2006年04期
2 朱晓姝,黄昌林;电视纪录片:讲述真实的故事[J];成都大学学报(社会科学版);2004年03期
3 孙莉;;人类学视野与中国纪录片[J];传媒观察;2009年05期
4 陈国钦;;试论电视纪录片的美学特征[J];重庆邮电学院学报(社会科学版);2006年06期
5 余辉;可可西里的脊梁——评电视纪录片《平衡》[J];当代电视;2002年05期
6 欧阳宏生,梁英;西部纪录片:光荣、迷茫与梦想[J];当代电视;2005年03期
7 苏咏鸿;曲茹;;审美“真实”——试析纪录片的美学范式[J];当代电视;2006年03期
8 郭艳梅;陈家平;;浅析中国纪录片发展过程中的视角变化[J];当代电视;2009年10期
9 陈刚;人类学纪录片的历史、现状与展望[J];当代电影;2002年03期
10 劳伦斯·瑞兹,陈刚;如何制作纪录片[J];当代电影;2002年03期
相关硕士学位论文 前10条
1 李娜;从叙事学角度看记录片字幕的翻译[D];天津理工大学;2009年
2 许卉子;康建宁纪录片研究[D];南京航空航天大学;2009年
3 丛林雪;梁碧波纪录片研究[D];南京航空航天大学;2010年
4 坚斌;人类学视野中的西部纪录片[D];西北师范大学;2011年
5 张红军;九十年代中国纪录片透视[D];南京师范大学;2002年
6 孙莉;人类学与电影电视纪录片[D];四川大学;2004年
7 姚文慧;论电视纪录片的人本精神[D];广西大学;2005年
8 马娜;“真实的叙事”与“叙事的真实”[D];西北大学;2007年
9 陈欣;媒介地理学视域中的中国纪录片[D];南京师范大学;2008年
10 杨娟;西部山地纪录片中的美学特性初探[D];西北大学;2010年
本文编号:2242037
本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2242037.html