彭浩翔作品冷暴力美学特性研究
发布时间：2018-12-11 04:11
【摘要】：冷暴力行为延展到电影领域成为一种类型风格,其语言上的特征和主观意识的选择就转化为了主题的呈现和剧情的安排。核心表现为：通过表现人与人之间的欺骗、背叛、谎言与漠视,剖析人性或展现社会问题。同样,无论创作者的观点是对冷暴力持批判还是赞扬,客观上都不可避免的需要弱化道德,从而实现主题的表达。尽管“冷暴力”是非体力的暴力展现,情感虐待作为精神意志层面的伤害很难用具象的视觉方式展现。但冷暴力电影作为暴力电影的分支,仍然存在身体叙事,承担这一叙事的元素变形为肉体的强调或情色场面。 彭浩翔电影经常被指责为“三俗”电影,充斥着大量的色情和粗口,内容上也多是被道德批判的对象。与其他冷暴力电影不同的是,彭浩翔用黑色幽默和乱炖解构的方式表达冷暴力的主题,从而形成一种怪诞而独特的个人风格。彭浩翔热衷于讲述人的关系,他的十一部电影都有冷暴力元素,并且电影与电影之间存在着传承关系。彭浩翔的影像表达对于构图和色彩都运用的很好。特别是其表现人物的孤独、隔绝、欺骗、背叛、冷漠等状态,都显露出独特的构想。彭浩翔受到后殖民文化的影响和自觉地提炼,成功地在表达“暴力”主题时有了新的方式。男性视角变成了一个隐性的立场,冷暴力美学风格既满足了男性对于性与暴力的想象,同时细腻的刻画也赢得了女性的认同。这是彭浩翔作品中冷暴力元素的根本原因。
[Abstract]:Cold violence extends to the field of film and becomes a kind of style. The choice of language features and subjective consciousness is transformed into the presentation of the theme and the arrangement of the plot. The core performance is to analyze human nature or to show social problems by showing deception, betrayal, lies and indifference between people. Similarly, whether the creators' views are critical of cold violence or praise, it is inevitable to weaken morality objectively and realize the expression of theme. Although "cold violence" is non-physical violence, emotional abuse as a mental-will-level injury is difficult to visualize. However, as a branch of violent film, cold violence film still exists body narrative, and the elements of this narrative are transformed into physical emphasis or erotic scene. Peng Haoxiang's films are often criticized as "three vulgar" films, full of pornography and vulgarity, as well as the subject of moral criticism. Unlike other cold violence films, Peng uses black humor and disorganization to express the theme of cold violence, thus forming a bizarre and unique personal style. Peng Haoxiang is a keen narrator of human relations. His 11 films have a cool and violent element, and there is a relationship between films and films. Peng Haoxiang's image expression is very good at composition and color. Especially the loneliness, isolation, deception, betrayal, apathy and so on, all show their unique ideas. Influenced and consciously refined by post-colonial culture, Peng Haoxiang succeeded in a new way of expressing the theme of violence. Male perspective has become a recessive position, cold violence aesthetic style not only meets the male imagination of sex and violence, but also the delicate portrayal has won the recognition of women. This is the root cause of the cold and violent elements in Peng Haoxiang's works.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905;B83-0
本文编号：2371843
[Abstract]:Cold violence extends to the field of film and becomes a kind of style. The choice of language features and subjective consciousness is transformed into the presentation of the theme and the arrangement of the plot. The core performance is to analyze human nature or to show social problems by showing deception, betrayal, lies and indifference between people. Similarly, whether the creators' views are critical of cold violence or praise, it is inevitable to weaken morality objectively and realize the expression of theme. Although "cold violence" is non-physical violence, emotional abuse as a mental-will-level injury is difficult to visualize. However, as a branch of violent film, cold violence film still exists body narrative, and the elements of this narrative are transformed into physical emphasis or erotic scene. Peng Haoxiang's films are often criticized as "three vulgar" films, full of pornography and vulgarity, as well as the subject of moral criticism. Unlike other cold violence films, Peng uses black humor and disorganization to express the theme of cold violence, thus forming a bizarre and unique personal style. Peng Haoxiang is a keen narrator of human relations. His 11 films have a cool and violent element, and there is a relationship between films and films. Peng Haoxiang's image expression is very good at composition and color. Especially the loneliness, isolation, deception, betrayal, apathy and so on, all show their unique ideas. Influenced and consciously refined by post-colonial culture, Peng Haoxiang succeeded in a new way of expressing the theme of violence. Male perspective has become a recessive position, cold violence aesthetic style not only meets the male imagination of sex and violence, but also the delicate portrayal has won the recognition of women. This is the root cause of the cold and violent elements in Peng Haoxiang's works.
【学位授予单位】：西北大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905;B83-0
【参考文献】
相关期刊论文 前3条
1 郝建;美学的暴力与暴力美学——杂耍蒙太奇新论[J];当代电影;2002年05期
2 张燕;;彭浩翔电影的黑色幽默和文化呈现[J];当代电影;2007年03期
3 蔡高宇;;彭浩翔电影修辞的三副面孔——以《志明与春娇》为例[J];文艺争鸣;2012年08期
，本文编号：2371843
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