张艺谋电影的叙事倾向

发布时间：2018-12-11 04:22

【摘要】：谈及流于银幕的中国电影,尤其是当代中国电影,无论如何也不能绕开导演张艺谋。张艺谋作为中国第五代导演的领军人物,从1982年进入影坛以来,始终创作不辍,并且其作品在国际、国内电影节上屡获殊荣,成绩斐然。称其神话也好,传奇也罢,无可厚非的是凭借对社会文化语境准确地认知与把握,对电影艺术形式富于见地地创新与探索,以及对电影表现内容大胆地挑战与颠覆,张艺谋当之无愧地成为蜚声海内外的殿堂级电影大师,得到了国内外学界的高度关注。对张艺谋及其电影的研究迄今己出现了不少有创见的成果,但在叙事方面仍大有挖掘的余地和空间。因此,本论文聚焦于张艺谋电影的叙事语境、叙事策略以及叙事主旨来探讨其叙事倾向将是一件意义重大的事情。本论文以张艺谋二十余年来导演的电影作品为研究依据,以电影叙事学为主要理论支撑,同时结合传播学、历史学、文艺学等相关学科的知识,对张艺谋电影的叙事倾向进行较为系统地梳理和论说。文章在绪论部分阐述了本文的选题背景及意义,国内外对张艺谋电影的研究现状、电影叙事学的文献综述、和本文的研究方法与思路。第一章讨论的是张艺谋的电影叙事与叙事语境之间的关系问题。在对张艺谋导演的电影作品进行综述之后,就计划经济时代和市场经济时代不同的政治气候、社会环境进行了分析,论证了其电影叙事总能与变化着的社会文化语境形成互文关系。第二章分析了张艺谋电影的叙事策略,集中对电影叙事结构、时间、空间、聚焦方式和视听造型进行分析,并归纳其叙事特点。第三章就张艺谋电影的叙事主旨予以了诠释,主要体现在对传统民族文化的关注和对社会生命人性的审视。本论文力求站在整体性的高度上,对张艺谋导演的电影作品进行理性分析和学理归纳,从而总结出张艺谋电影在叙事方面的倾向和特征,试图为全面把握张艺谋的导演创作提供一些启示,并期冀对中国电影的发展提供些许指导意义和借鉴价值。
[Abstract]:When it comes to Chinese films on screen, especially contemporary Chinese films, director Zhang Yimou cannot be bypassed. Zhang Yimou, as the leading figure of the fifth generation director in China, has been creating constantly since he entered the film world in 1982, and his works have won many awards in international and domestic film festivals. Whether it is a myth or a legend, what is beyond reproach is the accurate understanding and grasp of the social and cultural context, the insightful innovation and exploration of the film art form, and the bold challenge and subversion of the film's performance. Zhang Yimou has become a famous master of film at home and abroad, and has received great attention from scholars at home and abroad. The study of Zhang Yimou and his films has produced many creative achievements, but there is still room for further exploration in narrative. Therefore, it is of great significance to focus on the narrative context, narrative strategy and narrative purport of Zhang Yimou's film. This thesis is based on the film works directed by Zhang Yimou for more than 20 years, the main theoretical support of film narratology, and the knowledge of communication, history, literature and art, etc. The narrative tendency of Zhang Yimou film is systematically combed and discussed. In the introduction part, the paper expounds the background and significance of this paper, the research status of Zhang Yimou film at home and abroad, the literature review of film narratology, and the research methods and ideas of this paper. The first chapter discusses the relationship between Zhang Yimou's narrative and narrative context. After summarizing the films directed by Zhang Yimou, this paper analyzes the different political climate and social environment of the planned economy and the market economy. It demonstrates that the film narrative can form intertextuality with the changing social and cultural context. The second chapter analyzes the narrative strategy of Zhang Yimou's film, focusing on the narrative structure, time, space, focusing mode and audio-visual modeling, and summarizes its narrative characteristics. The third chapter interprets the narrative purport of Zhang Yimou's film, which is mainly reflected in the concern of traditional national culture and the examination of human nature of social life. This thesis tries to make a rational analysis and theoretical induction of Zhang Yimou's film works from the perspective of integrity, so as to sum up the narrative tendency and characteristics of Zhang Yimou's films. This paper tries to provide some enlightenment for the comprehensive understanding of Zhang Yimou's director creation, and hopes to provide some guiding significance and reference value for the development of Chinese film.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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