纪录片《知竹》编导阐述

发布时间：2018-12-15 08:18

【摘要】：纪录片的选材是整个纪录片的基础,好的纪录片得益于对素材的良好把控。而对于纪录片的灵魂来说,很大程度上和编导意识挂钩。除了好的题材和画面,纪录片中占较大比重的还有声音的录取。除了纪录片拍摄期间的人物和事件发生的同期声,背景音的融入对于整部纪录片的视听影响也同样举足轻重。一部优秀的纪录片对于这三步的把控都相当到位,这需要创作者耐心且用心。本人在创作纪录片《知竹》时,时刻注意是否兼顾这三个部分。本文分为四个部分,第一部分是纪录片《知竹》取材分析,并参考了一些优秀的同类型纪录片加以比较,从而能在比较中给自己的纪录片创作起到一定的借鉴作用,比如一些空境头的意向表达,比如一些人物特写镜头的切入,比如对人物介绍的方式,等等。第二部分是纪录片《知竹》编导意识分析,一部纪录片最终的呈现依赖于编导自己的创作意识主导,除了作品取材人物的真实性格以外,很多都可以依靠作者来表达哪个部分是重点,每一点小改变都要慎重。第三部分是纪录片《知竹》中的声音。在前期拍摄《知竹》的时候,因为收音没有做好,很多镜头都废掉了,再好看的镜头没有同期声,就失去了意义。而《知竹》的整部片子中,人物描述占了很大一部比重,声音对于整个故事起到支撑作用。如果在讲述中不断的插入这些没有同期声或者声音比较差的镜头会让整部纪录片看起来更像是一部专题片。所以最后采用在片头用空境加环境音为开头,代入后面的故事。而那些因为声音废掉的画面不再使用或者根据重要程度进行补拍。第四部分是纪录片《知竹》在创作中遇到问题分析。在后期因为素材比较多,是以时间线剪辑还是以人物线剪辑出现了矛盾。别切故事剪辑的过程中对于主要人物的表现出现了模糊,在主要表现非遗传承人的父亲丁志云和非遗传承人的女儿丁春梅中摇摆不定。
[Abstract]:The selection of documentary material is the basis of the whole documentary, good documentary benefits from the good control of the material. For the soul of documentary, to a large extent, and the director of consciousness linked. In addition to good themes and pictures, documentaries account for a large proportion of the sound admission. In addition to the characters and the simultaneous sound of the events during the documentary shooting, the integration of the background sound plays an equally important role in the audio-visual impact of the entire documentary. A good documentary is pretty well controlled for all three steps, which requires the creator's patience and care. I always pay attention to whether to take these three parts into account when I create documentary "Zhizhu". This article is divided into four parts, the first part is documentary "Zhi Zhu" material analysis, and reference to some excellent documentary of the same type to compare, so as to be able to compare their own documentary creation play a certain reference role. Such as some empty expression of intention, such as some characters close-up lens, such as the way to introduce the characters, and so on. The second part is the analysis of the director's consciousness of documentary film. The final presentation of a documentary depends on its own creative consciousness, except the real character of the characters. Many can rely on the author to express which part is the focus, every small change should be careful. The third part is the sound of the documentary "Zhi Zhu". In the early shooting of "Zhizhu", because the radio was not done well, many of the lenses were abandoned, and the good-looking lens did not have the same sound, so it lost its significance. In the whole film, characters account for a large proportion, and sound plays a supporting role in the whole story. If you keep inserting scenes that don't have synonymous sounds or sound worse, the whole documentary will look more like a feature film. So the final use in the beginning of the film with empty environment sound for the beginning, into the back of the story. Images that are discarded because of sound are no longer in use or are patched according to their importance. The fourth part is the analysis of the problems encountered in the creation of the documentary "Zhizhu". In the later period because the material is quite many, is with the time line clip or the character line clip appeared the contradiction. In the process of cutting off the story, the performance of the main characters appears vague, in which the father Ding Zhiyun and the daughter Ding Chunmei, who mainly represent the non-inheritors, waver and vacillate.
【学位授予单位】：西南交通大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J952

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