《转转》与公路电影的新形式
发布时间：2018-12-17 06:51
【摘要】：公路电影的叙事规范和美学原则,其实一直处于流动的、变动的状态中。因此,公路电影并不会因为其已经成为类型片的一种,就失去了在形式上继续创新的空间。日本导演三木聪自编自导的电影《转转》,便可以视作一部对公路电影在形式上进行新尝试的范例之作。文章从《转转》的公路电影特征,《转转》与公路电影的新题材选择,《转转》与公路电影的新叙事结构三方面,分析《转转》对公路电影的新开拓。
[Abstract]:The narrative norms and aesthetic principles of highway films have been in a fluid and changing state. Therefore, highway movies do not lose the space for innovation in form because they have become a type of film. The Japanese director Mitsuki's own film, turn around, can be seen as an example of a new attempt at the form of a road movie. This paper analyzes the new development of the highway film from three aspects: the characteristics of the highway film, the choice of the new theme and the new narrative structure of the road film.
【作者单位】： 燕山大学;
【分类号】：J905
，
本文编号：2383836
[Abstract]:The narrative norms and aesthetic principles of highway films have been in a fluid and changing state. Therefore, highway movies do not lose the space for innovation in form because they have become a type of film. The Japanese director Mitsuki's own film, turn around, can be seen as an example of a new attempt at the form of a road movie. This paper analyzes the new development of the highway film from three aspects: the characteristics of the highway film, the choice of the new theme and the new narrative structure of the road film.
【作者单位】： 燕山大学;
【分类号】：J905
，
本文编号：2383836
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