建筑动画在民俗建筑中的应用研究
发布时间：2018-12-18 02:48
【摘要】：20世纪中期,中国动画在世界领域掀起了中国动画狂潮。由“中国元素”组成的造型、场景、故事等均从我国博大精深的传统文化中汲取了养分与灵感。不可避免的现在是近年来,尽管中国动画产业的复兴和再由政府主管部门高度重视发展,有很多的政策促进中国动画的发展,但国内动画作品的“中国元素”正在消失,逐渐失去了自我的状态。于是“模仿和复制”出现了。具体到我国建筑动画领域,放眼过去,都是现当代商业建筑动画,展现我国民俗建筑的动画少之又少。但在世界动画产业,每个国家基本上都有着属于自己民族特色的动画影片。例如日本动画有着自己的风格,美国也有自己的风格的动画,中国也应该有自己的风格,从我们国家的传统文化中吸收自己的美学文化,并使中国动画可以走向世界,用含有“中国元素”的动画影片去影响世界,中国也是世界的。中华民族有着丰富而深刻的历史文化和民族文化,只有把这些民俗文化揉进动画中去,使作品具有生命力。目前,中央电视台已经启动从脚本产生到作品风格都很“中国风”的作品用来出口。 我国传统建筑以其所承载的鲜明民族文化内含而在世界建筑史上留有重要的印迹。从古文献描述及绘画中关于传统建筑形象直到现存的传统建筑来看,我国传统建筑在平面布局上有一种简明的规律——每一处宫殿、官衙、住宅、寺庙等建筑,都是由若干单座建筑和一些围廊、围墙之类环绕成一个个庭院而组成的。多数庭院都是前后串连起来的经过前院而后到达后院,这种前后庭院的组织是我国封建社会“长幼有序,内外有别”的思想意识的产物。家里的主要成员,或是应和外界隔绝的成员(如皇亲贵戚家庭的少女),往往就生活在离外门很远的庭院里,这就形成了一个层层深入的空间组织。宋代欧阳修《蝶恋花》词中有“庭院深深深几许”的词句,古人曾以“侯门深似海”来形容皇亲贵戚的居处,这些都形象地说明了中国传统建筑在布局上的重要特征。但反观我国近年来的原创国产动画或者建筑动画,这些优秀的民族建筑特征却是难得一见。 在振兴中国动画产业的背景下,提出了在动画中运用传统文化中的建筑造型,分析传统文化元素在动画设计中的应用。旨在促进“中国元素”综合应用在动画中,并思考动画中的传统文化应用。 最后基于论文所研究的内容,创作了一部民俗建筑动画《阿房宫》。体现出了民俗建筑动画创作中的技术方面的相关信息,对论文的整体性与可行性提供了有力的实践依据。同时展望民俗建筑动画的发展前景。
[Abstract]:In the middle of the 20 th century, Chinese animation in the world set off a frenzy of Chinese animation. The shapes, scenes and stories made up of "Chinese elements" have drawn nutrients and inspiration from China's extensive and profound traditional culture. Inevitably, in recent years, despite the revival of the Chinese animation industry and the importance attached by the government authorities to the development of Chinese animation, there are many policies to promote the development of Chinese animation, but the "Chinese element" of domestic animation works is disappearing. Gradually lose the state of self. Then "copy and copy" appeared. In the field of architectural animation in our country, looking at the past, the animation of modern and contemporary commercial architecture is rare. But in the world animation industry, each country basically has its own national characteristics of the animation film. For example, Japanese animation has its own style, the United States has its own style of animation, China should also have its own style, absorb its own aesthetic culture from the traditional culture of our country, and enable Chinese animation to move towards the world. Use animated films with Chinese elements to influence the world, and China is also world-wide. The Chinese nation has a rich and profound historical culture and national culture, only these folk culture into animation, so that the works have vitality. China Central Television has started exporting everything from script generation to Chinese style. The traditional architecture of our country has left important imprinting in the history of the world architecture because of its distinct national culture. From the ancient literature description and painting about the traditional architecture image to the existing traditional architecture, there is a concise rule in the plane layout of the traditional architecture in our country-every palace, government, residence, temple and so on. They are made up of several single buildings and corridors, walls and other surrounding courtyard. Most of the yards are contiguous through the front yard and then arrive in the backyard. This kind of front and rear courtyard organization is the product of the ideology of "long and orderly, different from the outside" in the feudal society of our country. The main members of the family, or members who should be isolated (such as young girls from royal families), often live in a courtyard far away from the outer door, forming a deep layer of spatial organization. The phrase "how deep is the courtyard" in Ouyang Xiu's poem "Butterfly Love Flowers" in Song Dynasty, the ancients used "Houmen deep as the sea" to describe the residence of the emperor's relatives and relatives, which vividly illustrated the important features of the layout of Chinese traditional architecture. However, looking back at the original domestic animation or architectural animation in recent years, these excellent national architectural features are rare. Under the background of revitalizing Chinese animation industry, this paper puts forward the application of traditional cultural elements in animation design by using the architectural modeling of traditional culture in animation. The purpose is to promote the integrated application of Chinese elements in animation and to reflect on the application of traditional culture in animation. Finally, based on the content of the paper, a folklore architectural animation "A Fang Palace" is created. It reflects the technical information in the creation of folklore architecture animation, and provides a powerful practical basis for the integrity and feasibility of the paper. At the same time look forward to the development of folk architecture animation prospects.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954
本文编号：2385196
[Abstract]:In the middle of the 20 th century, Chinese animation in the world set off a frenzy of Chinese animation. The shapes, scenes and stories made up of "Chinese elements" have drawn nutrients and inspiration from China's extensive and profound traditional culture. Inevitably, in recent years, despite the revival of the Chinese animation industry and the importance attached by the government authorities to the development of Chinese animation, there are many policies to promote the development of Chinese animation, but the "Chinese element" of domestic animation works is disappearing. Gradually lose the state of self. Then "copy and copy" appeared. In the field of architectural animation in our country, looking at the past, the animation of modern and contemporary commercial architecture is rare. But in the world animation industry, each country basically has its own national characteristics of the animation film. For example, Japanese animation has its own style, the United States has its own style of animation, China should also have its own style, absorb its own aesthetic culture from the traditional culture of our country, and enable Chinese animation to move towards the world. Use animated films with Chinese elements to influence the world, and China is also world-wide. The Chinese nation has a rich and profound historical culture and national culture, only these folk culture into animation, so that the works have vitality. China Central Television has started exporting everything from script generation to Chinese style. The traditional architecture of our country has left important imprinting in the history of the world architecture because of its distinct national culture. From the ancient literature description and painting about the traditional architecture image to the existing traditional architecture, there is a concise rule in the plane layout of the traditional architecture in our country-every palace, government, residence, temple and so on. They are made up of several single buildings and corridors, walls and other surrounding courtyard. Most of the yards are contiguous through the front yard and then arrive in the backyard. This kind of front and rear courtyard organization is the product of the ideology of "long and orderly, different from the outside" in the feudal society of our country. The main members of the family, or members who should be isolated (such as young girls from royal families), often live in a courtyard far away from the outer door, forming a deep layer of spatial organization. The phrase "how deep is the courtyard" in Ouyang Xiu's poem "Butterfly Love Flowers" in Song Dynasty, the ancients used "Houmen deep as the sea" to describe the residence of the emperor's relatives and relatives, which vividly illustrated the important features of the layout of Chinese traditional architecture. However, looking back at the original domestic animation or architectural animation in recent years, these excellent national architectural features are rare. Under the background of revitalizing Chinese animation industry, this paper puts forward the application of traditional cultural elements in animation design by using the architectural modeling of traditional culture in animation. The purpose is to promote the integrated application of Chinese elements in animation and to reflect on the application of traditional culture in animation. Finally, based on the content of the paper, a folklore architectural animation "A Fang Palace" is created. It reflects the technical information in the creation of folklore architecture animation, and provides a powerful practical basis for the integrity and feasibility of the paper. At the same time look forward to the development of folk architecture animation prospects.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2014
【分类号】：J954
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