表现主义电影的美学特质与展现研究
发布时间:2018-12-18 04:04
【摘要】:自19世纪电影诞生至今,电影已经从不被观众认识与接收到成为观众在生活中必不可少的一部分。在这一个多世纪的历史长河中,,电影在内容、形式、风格和表现方式等方面发生了巨大的变化。其中,表现主义电影作为电影整体变革历程中的一部分不容忽视。随着表现主义文化思潮的兴起和传播,表现主义电影也异军突起,并构建了自身独特的美学体系。在电影风潮的不断演变中,表现主义电影除彰显其独特的美学品格外对众多电影类型和表现方式都产生的深远的影响。同时,表现主义电影因其独特的美学意蕴将人性和社会边缘性话题得以诠释,成为当时社会形势下人们悲观情绪和消极思想的反映,是发自内心的恐慌和焦虑情绪的呼号,是对社会问题不满和反抗意识的再现。因此表现主义电影将电影的深层意义得以展现,既电影已不单单是大众的娱乐品和消费品,更是人类本性和社会现象的隐喻。本文就表现主义电影的美学品质进行研究,总结了其表现方式为非常规叙事方式,虚幻的时空构建和诡秘的镜像运用。 全文主要借助西方表现主义文化理论,并通过宏观审视与微观探讨、逻辑分析与实证分析等研究方法的指引,仔细分析了表现主义电影产生的文化语境并对其大致发展历程进行梳理。从表现主义的起源、发展、演变及在当今电影中的展现,分析了表现主义电影的美学品格,并整理了表现主义电影影响下的众多电影类别和表现方式。最后,结合具体的影视文本及表现特征阐明了当代中国电影艺术的表现性,展望了表现主义电影的表现方式在我国乃至世界电影主题意蕴的准确的阐释作用,并对其美学前景进行了前瞻。
[Abstract]:Since the birth of film in the 19th century, film has never been recognized and received by the audience as an indispensable part of the audience's life. In the long history of more than a century, great changes have taken place in the content, form, style and expression of the film. Among them, expressionism film as a part of the whole film reform process can not be ignored. With the rise and spread of Expressionist cultural thoughts, Expressionist movies have emerged and constructed their own unique aesthetic system. In the constant evolution of film trends, Expressionism film, in addition to highlighting its unique aesthetic products, has a profound impact on many film types and ways of expression. At the same time, the expressionist film, because of its unique aesthetic implication, interprets the topic of human nature and social marginalization, and becomes a reflection of people's pessimism and negative thoughts under the social situation at that time. It is a cry of panic and anxiety from the heart. It is the reappearance of discontent and resistance consciousness to social problems. Therefore, expressionist films reveal the deep meaning of films, which is not only the entertainment and consumer goods of the masses, but also the metaphor of human nature and social phenomena. This paper studies the aesthetic quality of Expressionism film, and summarizes the unconventional narrative mode, the illusory space-time construction and the mysterious mirror image application. The full text mainly relies on the western expressionism culture theory, and through the macroscopic examination and the microscopic discussion, the logic analysis and the demonstration analysis and so on research method guidance, This paper carefully analyzes the cultural context of Expressionism film and combs its development. This paper analyzes the aesthetic character of expressionist films from the origin, development, evolution and display in today's films, and arranges the various categories and ways of expression under the influence of Expressionist movies. Finally, the paper expounds the expressiveness of contemporary Chinese film art in combination with the specific film texts and performance characteristics, and looks forward to the accurate interpretation of the expressive mode of the expressionist film in our country and even in the world as well as in the world. And the prospect of its aesthetics is forecasted.
【学位授予单位】:陕西科技大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J909.8
本文编号:2385309
[Abstract]:Since the birth of film in the 19th century, film has never been recognized and received by the audience as an indispensable part of the audience's life. In the long history of more than a century, great changes have taken place in the content, form, style and expression of the film. Among them, expressionism film as a part of the whole film reform process can not be ignored. With the rise and spread of Expressionist cultural thoughts, Expressionist movies have emerged and constructed their own unique aesthetic system. In the constant evolution of film trends, Expressionism film, in addition to highlighting its unique aesthetic products, has a profound impact on many film types and ways of expression. At the same time, the expressionist film, because of its unique aesthetic implication, interprets the topic of human nature and social marginalization, and becomes a reflection of people's pessimism and negative thoughts under the social situation at that time. It is a cry of panic and anxiety from the heart. It is the reappearance of discontent and resistance consciousness to social problems. Therefore, expressionist films reveal the deep meaning of films, which is not only the entertainment and consumer goods of the masses, but also the metaphor of human nature and social phenomena. This paper studies the aesthetic quality of Expressionism film, and summarizes the unconventional narrative mode, the illusory space-time construction and the mysterious mirror image application. The full text mainly relies on the western expressionism culture theory, and through the macroscopic examination and the microscopic discussion, the logic analysis and the demonstration analysis and so on research method guidance, This paper carefully analyzes the cultural context of Expressionism film and combs its development. This paper analyzes the aesthetic character of expressionist films from the origin, development, evolution and display in today's films, and arranges the various categories and ways of expression under the influence of Expressionist movies. Finally, the paper expounds the expressiveness of contemporary Chinese film art in combination with the specific film texts and performance characteristics, and looks forward to the accurate interpretation of the expressive mode of the expressionist film in our country and even in the world as well as in the world. And the prospect of its aesthetics is forecasted.
【学位授予单位】:陕西科技大学
【学位级别】:硕士
【学位授予年份】:2013
【分类号】:J909.8
【参考文献】
相关期刊论文 前3条
1 苏珊·海瓦德 ,侯克明 ,钟静宁;电影学关键词[J];电影艺术;2003年03期
2 苏珊·海瓦德 ,侯克明 ,钟静宁;电影学关键词 恐怖片[J];电影艺术;2003年04期
3 蔡圣勤;从表现主义形式看审美与道德欣赏的碰撞[J];湖北社会科学;2004年11期
相关硕士学位论文 前2条
1 管红星;美国当代恐怖电影叙事研究[D];南京师范大学;2002年
2 安利敏;希区柯克镜头中的弗洛伊德[D];上海师范大学;2008年
本文编号:2385309
本文链接:https://www.wllwen.com/wenyilunwen/dianyingdianshilunwen/2385309.html