论日本平成电影中女性的“人格面具”及其文化成因

发布时间：2018-12-18 08:20

【摘要】：荣格在其《心理类型》一书中,谈到“灵魂”(soul)一词时,引入“人格面具”(persona)概念。当环境迫使采取相对应的态度去应对时,这种应对方式逐步演化成一套推广与社会的行为规范和流程,而规范则塑造了每个人的“社会方面的性格”,性格的双重性甚至“多重性”随之产生。由于日本社会自古以来将神道教中的“天照大神”奉为日本社会“大和抚子”的典型女性形象,形成一种对女性言行举止的限制和要求(即“集体无意识”),因此在日本电影中,出现了昭平电影中成濑巳喜男导筒下的温柔又坚强的女性角色,但到平成时期,日本社会中的女性一方面要迎合社会的期待和家庭的需要,另一方面也会趋从于自身内心的渴求与期望,她们戴上“面具”,与社会的要求相契合、顺应社会舆论。第一部分,文章梳理了从日本古代神话中的“理想女性”——天照大神的女性特质：温柔又坚强到昭和时期电影中成濑巳喜男作品中新女性的坚强自爱,直面人生的困境。在这一部分中,作者通过神话、具体电影文本对日本传统社会中的女性形象进行了人格上的剖析。第二部分,文章从荣格提出的“人格面具”和“阴影”理论出发,以三部平成时期的电影为例,分别从女性变容伪装、森女系女生的多重性格、人妻的“阴影”堕落之徒切入,详细分析了电影中日本女性的人格面具和阴影。第三部分,文章从电影文本为起点,探讨背后的社会文化心理因素,主要提炼出援交社会、女性地位提升、科技进步带来人际关系稀薄化等要点。
[Abstract]:Jung introduced the concept of "personality mask" (persona) when he talked about the word "soul" (soul) in his book Psychological types. When the environment forces a corresponding attitude to respond, the response evolves into a set of norms and processes that promote social behaviour, and norms shape everyone's "social character." The duality of character and even the "multiplicity" come into being. Since ancient times, Japanese society has regarded Shinto as the typical female image of "Daiwa" in Shinto, which has formed a kind of restriction and requirement (that is, "collective unconscious") on the behavior of women. Therefore, in the Japanese films, there appeared the gentle and strong female characters under the Seto Shinzo guide in the Japanese movies, but in the Pingcheng period, the women in the Japanese society had to cater to the expectations of the society and the needs of the family on the one hand. On the other hand, they also tend to follow their own inner desires and expectations. They put on "masks" and conform to the demands of the society and conform to the public opinion. In the first part, the article combs the "ideal woman" in the ancient Japanese mythology, the female characteristic of Tianzhao Dashanshi: gentle and strong to the strong self-love of the new female in the Seto Xi male works in the Showa period, and to face the plight of life. In this part, the author analyzes the female images in Japanese traditional society through mythology and specific film texts. In the second part, starting from the theory of "personality mask" and "shadow" put forward by Jung, taking the three films of the Pingcheng period as an example, the article analyzes the facade of female appearance, the character of female students, and the depravity of "shadow" of wife. This paper analyzes in detail the mask and shadow of Japanese women in the film. The third part, from the film text as the starting point, discusses the social and cultural psychological factors behind the main extraction of social aid, the status of women, scientific and technological progress brought about the thinning of interpersonal relations, and so on.
【学位授予单位】：华中师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J905

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