新世纪中国都市喜剧电影中的困境叙事研究
发布时间：2018-12-18 04:30
【摘要】：新世纪中国都市喜剧电影作为反映都市男女生存和发展状态的一面镜子,它喜剧化的表现方式紧贴着现代大众的审美和精神现状。同时,伴随着时代的发展,在困境叙事上,它明显地呈现出了与以往不同的新现象。因而本文从新世纪中国都市喜剧电影入手,重点研究相关影片叙事中的困境设置和解决。困境,即电影叙事中有意打破主人公生活的平衡,限制其实现欲望目标的一种情景。研究中发现这些困境是具有性别色彩的:不同性别主人公所面临的困境在戏剧冲突层面上存在差异,人物实现戏剧目的过程中的阻碍因素也有所不同,解决途径也大相径庭。本文意在对具体影片的解析中厘清带有性别色彩的叙事策略背后的社会文化心理,剖析时代症候,加深我们对于自身精神和生存现状的认识。本文发现,从喜剧电影发展史上来看,新世纪都市喜剧提高了性别意识自觉性和敏感度,但其模式化的叙事策略却反映出在当今社会解构传统性别观念、重构两性气质的复杂性。首先,影片在冲突层面及欲望受阻因素的设置上,以二元化的性别意识为主导,基于传统的性别刻板印象而制造,例如男性面对的是人与社会的冲突,人的内心冲突;而女性面对的是女人与男人的冲突。其次,主人公突围了困境,收获“圆满”结局,但真正实现自我重构的并不多。虽然在困境中展现的两性主体意识在一定程度上跳出了传统的藩篱,但受男性中心意识与消费时代大众文化的影响,大多数男女仍面临着对“自我”的困惑,处于焦虑、迷茫状态。喜剧策略在其中营造轻松幽默氛围,遮蔽了影片处理困境时显露的逃避心理和保守态度,而性别话语也再次悄然重回父权制的话语体系之中。最后,这些喜剧中的价值判断、文化观念与性别认知会潜移默化地影响着受众,其叙事策略和表现形式也会对当下同类型创作产生影响。因而要实现以客观平等的视角审视性别间的差异,承认各自生命的主体价值,重构健康的两性气质,新世纪都市喜剧影片未来发展任重而道远。
[Abstract]:As a mirror reflecting the existence and development of urban men and women, Chinese urban comedy films in the new century are closely related to the aesthetic and spiritual situation of modern people. At the same time, with the development of the times, it obviously presents a new phenomenon different from the past. Therefore, this paper starts with the Chinese urban comedy film in the new century, and focuses on the setting and solving of the dilemma in the narration of the relevant films. Dilemma is a situation in which the protagonist's life balance is deliberately broken and his desire goal is restricted in the film narration. The study found that these dilemmas are of gender color: the dilemma faced by different gender protagonists is different on the level of drama conflict, and the obstacles in the process of the characters' achievement of drama purposes are also different, and the ways to solve them are also quite different. The purpose of this paper is to clarify the social and cultural psychology behind the narrative strategy with gender color in the analysis of specific films, to analyze the symptoms of the times and to deepen our understanding of our own spirit and existing situation. This paper finds that, from the history of the development of comedy films, urban comedy in the new century has improved the consciousness and sensitivity of gender consciousness, but its stylized narrative strategy reflects the deconstruction of traditional gender concepts in today's society. Reconstructing the complexity of bisexual temperament. First of all, the film is based on the traditional gender stereotype, for example, the conflict between man and society and the inner conflict. What women face is the conflict between women and men. Secondly, the protagonist broke through the predicament and got a happy ending, but few of them really realized self-reconstruction. Although the consciousness of the subject of both sexes in the predicament has jumped out of the traditional barriers to a certain extent, most men and women still face the confusion of "self" and are anxious because of the influence of the male-centered consciousness and the mass culture of the consumption era. A state of confusion. Comedy strategy creates an atmosphere of relaxed humor, which obscures the evasive psychology and conservative attitude of the film in dealing with the predicament, and gender discourse is again quietly returned to the patriarchal discourse system. Finally, the value judgment, cultural concept and gender cognition in these comedies will influence the audience, and their narrative strategies and forms of expression will also have an impact on the contemporary creation of the same type. Therefore, in order to realize the objective and equal perspective to examine the differences between sexes, to recognize the value of their own lives and to reconstruct their healthy gender temperament, the future development of urban comedy films in the new century has a long way to go.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
[Abstract]:As a mirror reflecting the existence and development of urban men and women, Chinese urban comedy films in the new century are closely related to the aesthetic and spiritual situation of modern people. At the same time, with the development of the times, it obviously presents a new phenomenon different from the past. Therefore, this paper starts with the Chinese urban comedy film in the new century, and focuses on the setting and solving of the dilemma in the narration of the relevant films. Dilemma is a situation in which the protagonist's life balance is deliberately broken and his desire goal is restricted in the film narration. The study found that these dilemmas are of gender color: the dilemma faced by different gender protagonists is different on the level of drama conflict, and the obstacles in the process of the characters' achievement of drama purposes are also different, and the ways to solve them are also quite different. The purpose of this paper is to clarify the social and cultural psychology behind the narrative strategy with gender color in the analysis of specific films, to analyze the symptoms of the times and to deepen our understanding of our own spirit and existing situation. This paper finds that, from the history of the development of comedy films, urban comedy in the new century has improved the consciousness and sensitivity of gender consciousness, but its stylized narrative strategy reflects the deconstruction of traditional gender concepts in today's society. Reconstructing the complexity of bisexual temperament. First of all, the film is based on the traditional gender stereotype, for example, the conflict between man and society and the inner conflict. What women face is the conflict between women and men. Secondly, the protagonist broke through the predicament and got a happy ending, but few of them really realized self-reconstruction. Although the consciousness of the subject of both sexes in the predicament has jumped out of the traditional barriers to a certain extent, most men and women still face the confusion of "self" and are anxious because of the influence of the male-centered consciousness and the mass culture of the consumption era. A state of confusion. Comedy strategy creates an atmosphere of relaxed humor, which obscures the evasive psychology and conservative attitude of the film in dealing with the predicament, and gender discourse is again quietly returned to the patriarchal discourse system. Finally, the value judgment, cultural concept and gender cognition in these comedies will influence the audience, and their narrative strategies and forms of expression will also have an impact on the contemporary creation of the same type. Therefore, in order to realize the objective and equal perspective to examine the differences between sexes, to recognize the value of their own lives and to reconstruct their healthy gender temperament, the future development of urban comedy films in the new century has a long way to go.
【学位授予单位】：暨南大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J905
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