电影中的“双子角色”现象研究

发布时间：2018-12-19 14:03

【摘要】：电影是一种在表现视觉形象时具有独特优势的大众传播媒介,可以将抽象的精神世界转化为直接可见的视觉符号。这一特点在讲述“双子角色”的故事时无疑使电影具有了更灵活的叙事方式和更具感染力的艺术表达,这是论文立论的基础,也是第一章的主要内容。接下来的内容构成论文的第二板块,展开对“双子角色”现象的具体论述和深入剖析。本文对双子角色的界定如下:影片出有两个外形高度相似的角色,从生理层面、科技层面和精神层面分为双胞胎、克隆人和灵魂伴侣三种类型,并分别在第二、三、四章中加以论述。电影中的双胞胎形象通常具有完全相反的个性特征,产生了和谐互补和对抗斗争两个分支。和谐互补的双胞胎形象是人们对双胞胎理想关系模式的想象,寄托了人们追求和谐圆满的心理。而在大多数影片中,双胞胎之间的关系都并非完全平等,通过探讨两者如何在一对关系中寻求最佳平衡,映射出的是个体与自我的关系和个体与外界环境之间的关系。在克隆人题材的电影中,外表的相似性是个体丧失独特性的外在表征。一个自我镜像的出现既是克隆人自我认知和获得身份的障碍,又是自然人类极度自恋和迷失自我的象征,旨在探讨克隆人技术可能导致的身份和伦理混乱,揭示人类迷恋自我复制的心理根源,将一种尚未发生的灾难具象为角色间的矛盾冲突,利用电影手段指导人们走出滥用技术的深渊。“灵魂伴侣”是电影中一种比较特殊的角色关系。不同于双胞胎和克隆人,此类人物形象不符合现实逻辑,完全是导演的艺术创造。这类形象在保持肉体唯一性的同时拥有了一个在精神上的相互呼应的对象,重在表现情感的共鸣和灵魂的契合。两个角色在找寻自己的“另一重生命”的过程中发掘着自身的个体意识,在对方身上折射出一种发现理想自我、摆脱孤独宿命的希望。然而最终总是与对方失之交臂,透露出了孤独的难以摆脱和寻找自我的永无止境。“双子角色”现象在电影中的存在和不断丰富,正是出于电影的创作者们对人类内心世界的关注。这些电影作品不仅由于人物设置的特殊性而颇有新意,而且导演通常有意将外在形态完全一致的两个人物作为极端的对立来设置,彼此通过对方重新认知和建构自身,协调个体内在的自我关系和自我与环境的关系,体现带有哲学审思的自我审视——人的主体性追寻和客体性焦虑。而这种对人类精神和灵魂世界探察的深度也同时夯实和提升着电影作为一门独立艺术在艺术大家庭中的地位,践行着艺术的本质。
[Abstract]:Film is a kind of mass media with unique advantages in the performance of visual image, which can transform the abstract spiritual world into a visual symbol that can be seen directly. This feature undoubtedly makes the film have a more flexible narrative mode and more infectious artistic expression when telling the story of "Gemini characters", which is the basis of the thesis and the main content of the first chapter. The following contents constitute the second section of the thesis, and discuss and analyze the phenomenon of "Gemini role" in detail. The definition of Gemini characters in this paper is as follows: the film has two highly similar characters, which are divided into three types: twins, clones and soul mates from the physiological, scientific and spiritual levels, and in the second and third, respectively. It is discussed in four chapters. The images of twins in movies usually have completely opposite personality characteristics, producing two branches of harmony and complementarity and confrontation and struggle. The image of harmonious and complementary twins is people's imagination of the ideal relationship model of twins, which assigns people's psychology of pursuing harmony and perfection. In most films, the relationship between twins is not completely equal. By exploring how to find the best balance in a pair of relationships, the relationship between individual and self and between individual and external environment is reflected. In a clone-themed film, the similarity of appearance is an external representation of individual loss of uniqueness. The emergence of a self-mirror image is both an obstacle to self-recognition and identity acquisition of human cloning and a symbol of extreme narcissism and loss of self in natural humans, with a view to exploring the possible confusion of identity and ethics resulting from cloning techniques. It reveals the psychological root of human infatuation with self-replication, turns a disaster that has not yet occurred into a conflict between roles, and uses film means to guide people out of the abyss of abusing technology. Soul mate is a kind of special character relationship in the movie. Unlike twins and clones, this kind of character is not logical and is entirely the artistic creation of the director. While maintaining the physical uniqueness, this kind of image has an object of mutual echo in spirit, focusing on the expression of emotional resonance and soul fit. In the process of finding their own "another life", the two characters discover their own individual consciousness and reflect a hope of finding their ideal self and getting rid of their fate. But in the end, they always miss each other, revealing the loneliness and the endless search for self. The existence and enrichment of the "Gemini" phenomenon in the film is due to the attention paid by the creators to the inner world of human beings. These films are not only novel because of the particularity of the character setting, but also the director usually intends to set up two characters whose external forms are completely identical as extreme opposites, so that they can re-recognize and construct themselves through the other side. In order to coordinate the internal self-relationship and the self-environment relationship of individual, the self-examination with philosophical thinking is embodied, that is, the subjective pursuit of human beings and the object anxiety. At the same time, the depth of exploring the world of human spirit and soul is also ramming and enhancing the position of film as an independent art in the art family, and practicing the essence of art.
【学位授予单位】：山东艺术学院
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J904

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