新世纪以来少数民族题材电视剧研究

发布时间：2018-12-19 17:56

【摘要】：在我国纷繁复杂的电视剧类型体系中,少数民族题材电视剧一直是一个独特而重要的存在。步入新世纪,随着宏观时代背景的变迁,少数民族题材电视剧逐步走向繁盛与多样化,多种题材类型元素融入其中,使其逐渐在竞争日益激烈的电视剧市场实现突围。这些优秀的少数民族题材电视剧作品,打破了以往的叙事观念,取得了叙事表达与审美取向上的突破,成功展现了少数民族独有的精神文化与价值取向。回望我国少数民族题材电视剧走过的三十多年光阴,它曾经发挥过重要的意识形态功能,完成了中华各民族“亲如一家”的想象性构建。在新世纪多元文化并存的社会语境下,主流文化设法实现国家意志的隐匿询唤;大众文化继续疯狂“圈地”,对“他者”进行娱乐构建;少数民族文化的觉醒壮大促使拥有少数民族血缘身份或文化身份的创作者,从被猎奇观赏的“他者”开始成为主动表达情怀的“作者”。正是这三种文化力量的相互博弈,使得新世纪的少数民族题材电视剧呈现出不同于以往的文本形态。在叙事主题方面,不仅有“民族团结”,还将中华民族传统美德融入其中以观照当下,“和谐”成为少数民族题材电视剧的精神基调。在人物塑造方面,突破了以往二元对立的形象塑造,打破了“非黑即白”的传统思路,辩证地呈现特殊历史环境下的各类人物,不再只关注家喻户晓的传奇英雄,还聚焦于有不为人知的平民英雄;同时,不同历史时期中性格与命运迥异的少数民族女性人物得到全面关注。在叙事技巧方面,既有传奇书写模式,用悬念与突变抓住观众,用阴谋与爱情升华主题;又有诗意呈现模式,以平实的美学风貌愉悦观众,以真挚细腻的情感打动观众。在民族符码方面,剧中的民俗礼仪不再只是“陈列品”,而是转为参与叙事、推动剧情的重要元素,甚至成为勾连社会礼法、彰显民族价值取向的精神符码。不可否认,新世纪的少数民族题材电视剧在促进民族稳定团结等方面有积极作用,但我们更应该看到,政策制约、商业诱惑、创新等问题已成为阻碍其发展的重要因素。因此,少数民族题材电视剧的健康持续发展,既需要国家政府的大力支持,也需要其自身大胆创新,争取在平衡社会效益与市场效益的同时传达少数民族文化特有的审美内涵。
[Abstract]:In the complicated TV series system of our country, minority TV drama has always been a unique and important existence. In the new century, with the change of the background of the macroscopic times, minority TV dramas are gradually becoming prosperous and diversified, and the elements of various subject types are integrated into them, which makes them break through in the increasingly competitive TV drama market. These excellent TV dramas with minority themes have broken through the previous narrative concepts, achieved a breakthrough in narrative expression and aesthetic orientation, and successfully demonstrated the unique spiritual culture and value orientation of ethnic minorities. Looking back at the more than 30 years of minority TV dramas in China, it has played an important ideological function and completed the imaginative construction of all ethnic groups in China. In the social context of the coexistence of multiculturalism in the new century, the mainstream culture tries to realize the hidden call of the national will, the mass culture continues to frantically "encircle" and construct the entertainment of the "other"; The arousal and growth of minority culture urges the creators who possess ethnic minority blood or cultural identity to become active "authors" who express their feelings from the "others" who are being hunted and admired. It is the game of these three cultural forces that makes the new century's minority TV series take on a different form of text. In the narrative theme, there is not only "national unity", but also the traditional virtue of the Chinese nation into which to look at the present, "harmony" has become the spiritual tone of minority TV series. In the aspect of character shaping, it breaks through the image shaping of dualistic opposition in the past, breaks the traditional thought of "black and white", and dialectically presents all kinds of characters under the special historical environment, and no longer only pays attention to the legendary heroes who are household names. It also focuses on unknown civilian heroes; At the same time, ethnic minority female figures with different personalities and fates in different historical periods have received comprehensive attention. In terms of narrative skills, there are not only legendary writing models, but also suspense and sudden changes to the audience, sublimation of themes with conspiracy and love, and poetic presentation patterns, which please the audience with plain aesthetic features and impress the audience with sincere and delicate emotion. In the aspect of national code, the folklore etiquette in the play is no longer just a "display", but turns into an important element of participating in narration, promoting the plot, and even becoming a spiritual code that links the social etiquette law and highlights the value orientation of the nation. There is no denying that minority TV plays a positive role in promoting national stability and unity in the new century, but we should see that policy constraints, commercial temptations and innovations have become an important factor hindering its development. Therefore, the healthy and sustainable development of minority TV plays needs not only the support of the national government, but also its own bold innovation, in order to balance social and market benefits while conveying the unique aesthetic connotation of minority culture.
【学位授予单位】：湖南师范大学
【学位级别】：硕士
【学位授予年份】：2016
【分类号】：J905

【相似文献】