罗山皮影艺术结合现代动画设计的应用研究
[Abstract]:In the long history of the development of Chinese culture and art, shadow art condense the historical imprint of different times with its distinctive artistic language and expression form. With the development of the whole modernization of society, the progress of human science and technology promotes the continuous renewal and iteration of the media means, and in this process it impacts the values of the traditional shadow art. Under the environment of collision between modern and traditional, the shadow art of Luoshan has been paid more and more attention by the society. The repertoire of Luoshan Shadow play and the shape of characters are of great value in studying the unique artistry of Luoshan Shadow Drama. In the new era of the gradual popularization and application of network information and mobile new media technology, better protection and inheritance of the intangible cultural heritage of Luoshan Shadow Art has become the duty of contemporary writers and artists. In order to inherit and develop this folk art, first of all, it is necessary to explore the shadow art of Luoshan from the concept of modern design and the use of more methods, and sum up the cognition of the aesthetic feeling of the form of shadow art of Luoshan and a lot of traditional refinements. It has been applied to the design and creation of modern digital animation constantly, in order to promote the innovative development of the combination of intangible heritage of national culture and animation technology in the region. In the design of modern digital animation, it is possible to find the fit between traditional aesthetics and modern design idea according to the most representative character image characteristics, color and the adoption of props modeling in the shadow art of Luoshan. Combining the outstanding cultural tradition of the shadow art of Luoshan with the modern advanced design thought, the author designs and creates animation works which have Chinese traditional characteristics and accord with the modern aesthetic standards. The purpose of this paper is to explore the possibility and internal relationship between modern digital animation design and traditional art form by analyzing the artistic characteristics of traditional shadow in Luoshan. This paper makes a comprehensive analysis of the universal design law and artistic characteristics of the animation work Yang Huaiyu in the process of production, hoping that it can be used for reference for the inheritance of other immaterial cultures.
【学位授予单位】:河南工业大学
【学位级别】:硕士
【学位授予年份】:2017
【分类号】:J954
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