兰晓龙军旅三部曲剧作技巧研究
发布时间：2019-04-15 18:28
【摘要】：从剧作技巧方面分析一个剧本,犹如剖牛剥筋,好的分析就像庖丁解牛,刀下去,筋脉毕现,一目了然。本文采用文本分析的方法对兰晓龙军旅三部曲进行分析,以期找到兰晓龙剧作的“筋脉”。 本文共有五部分构成,绪论部分,主要分析了军旅题材电视的创作和流行状况,兰晓龙军旅三部曲的简介：对剧作研究,军旅题材电视剧研究,兰晓龙作品研究分别进行了文献综述,发现对影视剧作研究较少特别是剧作技巧研究,而兰晓龙军旅三部曲的剧作技巧研究属于空白；提出了研究的问题和意义。期望通过笔者的研究为剧本创作者提供剧本技巧分析经验。第一章,分析了兰晓龙军旅三部曲的的精神历程。第二章,分析了兰晓龙军旅三部曲的叙事技巧,围绕讲好一个故事,从激励事件的设置,文本与潜文本,情节点的设置,冲突法则四个角度对兰晓龙的作品进行了分析,并且得出他叙事方面的技巧,非常规的激励事件,以及对类型常规的突破与创新。第三章,分析了兰晓龙在人物塑造方面的技巧。分别是矛盾的人物塑造与人物真相；正剧人物喜剧化色彩；犯而不犯：同样情景不同人物产生了不同反应,对比中塑造不同的人物性格。第四章,以史今到许三多家访为例,示范了剧作技巧分析的方式。 兰晓龙军旅题材三部曲都属于类型化创作的范畴。《士兵突击》采用的成长模式,《我的团长我的团》和《生死线》则采用了战争模式。兰晓龙在其剧本创作中即坚持了类型,又对类型从叙事和人物塑造两个方面进行了创新。从叙事方面,他在创作中运用了非常规的激励事件,并且对类型常规进行了突破和创新。在人物塑造方面主要体现在三个方面,一是矛盾的人物塑造与人物真相,二是对《士兵突击》中的许三多的人物形象塑造具有正剧人物喜剧化的特点。三是同样情景不同人物产生了不同反应,突出了其犯而不犯的剧作特点。
[Abstract]:An analysis of a script from the point of view of drama skill is like stripping a cow. A good analysis is like solving a cow, cutting down a knife, showing all the muscles, and being clear at a glance. This paper uses the method of text analysis to analyze the trilogy of Lan Xiaolong's military brigade in order to find out the rib of Lan Xiaolong's play. This article is composed of five parts, the introduction part, mainly analyzes the creation and popular situation of the military theme television, the brief introduction of the trilogy of Lan Xiaolong's military brigade: the study of dramas, the study of military TV dramas, The literature review of Lan Xiaolong's works shows that there is little research on film and television drama, especially on drama skills, while the research on drama skill of Lan Xiaolong's military Trilogy belongs to the blank. The problems and significance of the research are put forward. I hope to provide the author with the experience of script skill analysis through the author's research. In the first chapter, we analyze the spiritual course of the trilogy of Lan Xiaolong's military brigade. The second chapter analyzes the narrative skills of Lan Xiaolong's military trilogy, focusing on telling a good story and analyzing his works from four angles: the setting of motivating events, the setting of text and hidden text, the setting of emotional nodes, and the conflict rule. He also showed his narrative skills, unconventional motivational events, and breakthroughs and innovations in typologies. In the third chapter, the author analyzes Lan Xiaolong's character-building skills. They are the contradictory character shaping and the character truth; the comedy color of the real drama character; the crime rather than the crime: different characters in the same situation have different reactions and shape the different character in the contrast. The fourth chapter, taking history to Xu Sanduo's home visit as an example, demonstrates the way of analysis of drama skills. The Trilogy of Lan Xiaolong's military Brigade belongs to the category of typed creation. The growth pattern adopted by the Soldier assault, my Leader and my regiment, and the Life and death Line adopt the war model. In his script writing, Lan Xiaolong not only insists on the type, but also innovates the type from two aspects: narrative and character shaping. From the narrative aspect, he used the unconventional motivational events in his creation, and made a breakthrough and innovation to the type convention. There are three main aspects in the character shaping, one is the contradictory character shaping and the character truth, the other is the character shaping of Xu Sanduo in the Soldier assault has the characteristic of the comedy of the real drama character. Third, different characters in the same situation have different reactions, highlighting the characteristics of their plays.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J904
本文编号：2458373
[Abstract]:An analysis of a script from the point of view of drama skill is like stripping a cow. A good analysis is like solving a cow, cutting down a knife, showing all the muscles, and being clear at a glance. This paper uses the method of text analysis to analyze the trilogy of Lan Xiaolong's military brigade in order to find out the rib of Lan Xiaolong's play. This article is composed of five parts, the introduction part, mainly analyzes the creation and popular situation of the military theme television, the brief introduction of the trilogy of Lan Xiaolong's military brigade: the study of dramas, the study of military TV dramas, The literature review of Lan Xiaolong's works shows that there is little research on film and television drama, especially on drama skills, while the research on drama skill of Lan Xiaolong's military Trilogy belongs to the blank. The problems and significance of the research are put forward. I hope to provide the author with the experience of script skill analysis through the author's research. In the first chapter, we analyze the spiritual course of the trilogy of Lan Xiaolong's military brigade. The second chapter analyzes the narrative skills of Lan Xiaolong's military trilogy, focusing on telling a good story and analyzing his works from four angles: the setting of motivating events, the setting of text and hidden text, the setting of emotional nodes, and the conflict rule. He also showed his narrative skills, unconventional motivational events, and breakthroughs and innovations in typologies. In the third chapter, the author analyzes Lan Xiaolong's character-building skills. They are the contradictory character shaping and the character truth; the comedy color of the real drama character; the crime rather than the crime: different characters in the same situation have different reactions and shape the different character in the contrast. The fourth chapter, taking history to Xu Sanduo's home visit as an example, demonstrates the way of analysis of drama skills. The Trilogy of Lan Xiaolong's military Brigade belongs to the category of typed creation. The growth pattern adopted by the Soldier assault, my Leader and my regiment, and the Life and death Line adopt the war model. In his script writing, Lan Xiaolong not only insists on the type, but also innovates the type from two aspects: narrative and character shaping. From the narrative aspect, he used the unconventional motivational events in his creation, and made a breakthrough and innovation to the type convention. There are three main aspects in the character shaping, one is the contradictory character shaping and the character truth, the other is the character shaping of Xu Sanduo in the Soldier assault has the characteristic of the comedy of the real drama character. Third, different characters in the same situation have different reactions, highlighting the characteristics of their plays.
【学位授予单位】：陕西师范大学
【学位级别】：硕士
【学位授予年份】：2013
【分类号】：J904
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