动画导演细田守和新海诚的作品比较
发布时间：2019-05-11 09:56
【摘要】：如今,日本最广为人知且深受好评的艺术形式便是动画。大正时代开始,一代巨匠手冢治虫再到如今的宫崎骏,他们的作品享誉世界。2013年,宫崎骏导演正式发表引退声明,不再制作长篇动画电影。至此,日本动画界开启了新篇章。同时,此举也引发了无数人对于日本新生代动画导演的关心。其中,细田守和新海诚被媒体认为是最值得期待的"宫崎骏接班人"。细田守作品主要是以身边的人和事为题材的王道娱乐动画电影,引起不同年龄层的看者共鸣。另一位新海诚是首位以独立动画制片人身份跻身前列。作品主要以远距离恋爱为主题,故事中精致的美术背景和少年少女细腻的心理描写广受好评。两位导演在竞争激烈的日本动画电影行业,能够坚持自我,推陈出新,不断发布新的作品,实属不易。两位导演的作品尽管看上去大相径庭,但又有相同之处。然而,国内对于日本新生代动画导演的研究并不多,这两位导演的作品比较研究更是屈指可数。本文拟针对两位导演的04年至15年的八部作品,根据中日先行研究的资料,进行比较。首先阐述了为何两位导演被称为"宫崎骏接班人"。之后从作品的共同点与不同点出发,开始着重讨论两位导演作品中的共同点,包括原创性,人文主义,暗喻手法,传统文化。第二章将以个案分析的方法,分别指出两位导演在作品中的不同点,包括成长表现,主题选择以及技术形式。从中,我们可以了解一些日本动画电影的制作模式和表现手法。第三章阐述两位导演的电影哲学思想。希望可以为中国动画制作行业的发展提供一定程度上的参考。
[Abstract]:Today, the most well-known and well-received art form in Japan is animation. At the beginning of the Dazheng era, a generation of giant craftsmen to cure insects to MiyazakiHayao, their works are world-renowned. In 2013, director MiyazakiHayao officially issued a withdrawal statement, no longer making long animated films. So far, the Japanese animation industry has opened a new chapter. At the same time, the move has also aroused the concern of countless people for the new generation of Japanese animation directors. Among them, Oda Shou and Xin Haicheng are regarded by the media as the most worthy of looking forward to the "MiyazakiHayao replacement." Oda Shou's works are mainly based on the people and things around him, which resonates with viewers of different ages. Another Xinhaicheng is the first to be in the forefront as an independent animation producer. The main theme of the works is long-distance love, the exquisite art background and the delicate psychological description of young girls are well received. In the fiercely competitive Japanese animated film industry, it is not easy for the two directors to adhere to themselves, bring forth new ideas and constantly release new works. Although the two directors' works look very different, they have something in common. However, there is not much research on the new generation of Japanese animation directors in China, and the comparative study of the works of the two directors is even more numerous. This paper aims to compare the eight works of the two directors from 2004 to 15 years according to the data of the first study between China and Japan. First of all, it explains why the two directors are called "MiyazakiHayao successors". Then, starting from the common points and differences of the works, we begin to discuss the common points in the works of the two directors, including originality, humanism, metaphorical techniques and traditional culture. The second chapter will point out the differences between the two directors in their works by means of case analysis, including growth performance, theme selection and technical form. From this, we can understand some Japanese animated films production mode and performance techniques. The third chapter expounds the film philosophy of the two directors. It is hoped that it can provide a certain degree of reference for the development of Chinese animation industry.
【学位授予单位】：浙江工商大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954
[Abstract]:Today, the most well-known and well-received art form in Japan is animation. At the beginning of the Dazheng era, a generation of giant craftsmen to cure insects to MiyazakiHayao, their works are world-renowned. In 2013, director MiyazakiHayao officially issued a withdrawal statement, no longer making long animated films. So far, the Japanese animation industry has opened a new chapter. At the same time, the move has also aroused the concern of countless people for the new generation of Japanese animation directors. Among them, Oda Shou and Xin Haicheng are regarded by the media as the most worthy of looking forward to the "MiyazakiHayao replacement." Oda Shou's works are mainly based on the people and things around him, which resonates with viewers of different ages. Another Xinhaicheng is the first to be in the forefront as an independent animation producer. The main theme of the works is long-distance love, the exquisite art background and the delicate psychological description of young girls are well received. In the fiercely competitive Japanese animated film industry, it is not easy for the two directors to adhere to themselves, bring forth new ideas and constantly release new works. Although the two directors' works look very different, they have something in common. However, there is not much research on the new generation of Japanese animation directors in China, and the comparative study of the works of the two directors is even more numerous. This paper aims to compare the eight works of the two directors from 2004 to 15 years according to the data of the first study between China and Japan. First of all, it explains why the two directors are called "MiyazakiHayao successors". Then, starting from the common points and differences of the works, we begin to discuss the common points in the works of the two directors, including originality, humanism, metaphorical techniques and traditional culture. The second chapter will point out the differences between the two directors in their works by means of case analysis, including growth performance, theme selection and technical form. From this, we can understand some Japanese animated films production mode and performance techniques. The third chapter expounds the film philosophy of the two directors. It is hoped that it can provide a certain degree of reference for the development of Chinese animation industry.
【学位授予单位】：浙江工商大学
【学位级别】：硕士
【学位授予年份】：2017
【分类号】：J954
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